तस्या नाभीदरीं प्राप्य कंदर्पोऽनंगता गतः । पुनः प्राप्तुमिवांगानि तप्यते परमं तपः
tasyā nābhīdarīṃ prāpya kaṃdarpo'naṃgatā gataḥ | punaḥ prāptumivāṃgāni tapyate paramaṃ tapaḥ
သူမ၏ နာဗီအတွင်းအိုက်သို့ ရောက်သည့်အခါ ကန္ဒရ္ပသည် ထပ်မံ၍ ‘အနင်္ဂ’—ကိုယ်မဲ့—ဖြစ်သွား၏။ ကိုယ်အင်္ဂါများကို ပြန်လည်ရယူလိုသကဲ့သို့ အလွန်ပြင်းထန်သော တပသ္စျာကို ဆောင်ရွက်လျက်ရှိသည်။
Skanda (deduced: Kāśīkhaṇḍa commonly Skanda → Agastya)
Scene: A poetic, paradoxical tableau: at the navel-hollow (nābhī-darī), Kandarpa ‘loses body’ again; he is imagined performing fierce austerity to regain limbs—sensual focal point fused with ascetic imagery.
Desire is portrayed as overwhelmed and disciplined in the sacred frame—hinting that in Kāśī, higher dharma and devotion can master even powerful impulses.
Kāśī in general; the verse is part of a chapter situated in Śiva’s city rather than a named tirtha-stuti.
No explicit rite; ‘tapas’ appears as metaphorical intensity, not a stated observance.
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