The Account of the Lalitā Hymn, the Protective Armor
Kavaca), and the Thousand Names (Sahasranāma
विचित्रा विभ्रमा हंसी भीषणी जनरंजिका । विशाला मदना तुष्टा कालकंठी महाभया ॥ ११३ ॥
vicitrā vibhramā haṃsī bhīṣaṇī janaraṃjikā | viśālā madanā tuṣṭā kālakaṃṭhī mahābhayā || 113 ||
သူမသည် အံ့ဩဖွယ်၍ စိတ်လှုပ်ရှားစေသောသူ; ဟင်္သာကဲ့သို့; ကြောက်မက်ဖွယ်ဖြစ်သော်လည်း လူတို့ကို ပျော်ရွှင်စေသူ—ကျယ်ဝန်း၍ ကာမကို လှုံ့ဆော်ကာ ကျေနပ်တည်ငြိမ်သူ; လည်ချောင်းမည်း၍ အလွန်ကြောက်မက်ဖွယ်။
Narada (in a technical listing of names/epithets within Book 1.3 context)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhayanaka
It presents a cluster of epithets that hold multiple, even contrasting, qualities—beauty and terror, delight and fear—pointing to a divine power whose nature transcends ordinary categories and is approached through sacred naming and remembrance.
Bhakti here is supported through nāma-smaraṇa (recollection of divine names): contemplating these names trains the mind to accept the Lord’s/Śakti’s cosmic complexity and surrender beyond personal likes and dislikes.
The verse reflects a nighaṇṭu/nirukta-like method (lexical listing of meaningful epithets), useful for Vyākaraṇa-based parsing and Nirukta-style interpretation of names in mantra and Purāṇic recitation.