The Account of the Lalitā Hymn, the Protective Armor
Kavaca), and the Thousand Names (Sahasranāma
स्वाधिष्ठानसमासीनाधारस्थाज्ञासमास्थिता । षट्त्रिंशत्कूटरूपा च पंचाशन्मिथुनात्मिका ॥ १११ ॥
svādhiṣṭhānasamāsīnādhārasthājñāsamāsthitā | ṣaṭtriṃśatkūṭarūpā ca paṃcāśanmithunātmikā || 111 ||
သူမသည် စွဝါဓိဋ္ဌာန (Svādhiṣṭhāna) တွင် ထိုင်နေ၍၊ အာဓာရ (Ādhāra) အမြစ်အထောက်အပံ့၌ တည်ရှိကာ၊ အာဇ္ဉာ (Ājñā) ဉာဏ်အာဏာ၌ ခိုင်မြဲစွာ တည်နေသည်။ သူမသည် ကူဋာ ၃၆ မျိုး၏ ရုပ်သဏ္ဌာန်ဖြစ်ပြီး၊ အနှစ်သာရအားဖြင့် အတွဲ ၅၀ ဖြင့် ဖွဲ့စည်းထားသည်။
Sanatkumara (teaching Narada in a technical-esoteric register)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It describes a subtle divine power (Śakti) as present in the body’s inner supports—root and Svādhiṣṭhāna—highlighting that realization depends on stabilizing knowledge (jñā) and understanding the hidden structural ‘counts’ used in mantra-yoga.
Even in a technical yogic description, the Purāṇic intent is upāsanā: the devotee reveres the indwelling divine power as the Lord’s energy, using disciplined contemplation to purify the inner centers so devotion becomes steady and luminous.
It reflects a technical, enumerative approach typical of mantra-vidyā and allied disciplines—using sacred numbers (like 36 and 50) to map subtle phonetic/mantric structures and internal loci (ādhāra, cakra) for focused recitation and meditation.