Pañca-prakṛti-nirūpaṇa and Mantra-vidhi: Rādhā, Mahālakṣmī, Durgā, Sarasvatī, Sāvitrī; plus Sāvitrī-Pañjara
मातृकोक्ते यजेत्पीठे वक्ष्यमाणक्रमेण ताम् । वर्णाब्जेनासनं दद्यान्मूर्तिं मूलेन कल्पयेत् ॥ ९९ ॥
mātṛkokte yajetpīṭhe vakṣyamāṇakrameṇa tām | varṇābjenāsanaṃ dadyānmūrtiṃ mūlena kalpayet || 99 ||
မာတෘကာစနစ်၌ သင်ကြားထားသော ပီဋ္ဌ (pīṭha) ပေါ်တွင်၊ နောက်တစ်ဆင့်ဖော်ပြမည့် အစဉ်အတိုင်း သမီးတော်ကို ပူဇော်ရမည်။ အက္ခရာပဒ్మ (အက္ခရာပန်းကြာ) ဖြင့် အာသန ပေး၍၊ မူလမန်တရ (root-mantra) ဖြင့် ဒေဝီရုပ်ကို တည်/စိတ်တွင် တင်ရမည်။
Narada (teaching in a technical/ritual context within Book 1.3)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches that worship becomes effective when the deity is installed through a precise inner-outer method: a sanctified pīṭha, a letter-lotus seat (Mātr̥kā/varṇa), and a root-mantra that anchors the presence of the deity in consciousness and rite.
Bhakti here is expressed as disciplined upāsanā: devotion is not only emotion but also a structured offering—preparing a sacred seat and invoking the deity through mantra so the worshipper’s mind becomes steady and reverent.
It highlights mantra-vidyā and the technical use of varṇas (letters) in ritual construction—linking phonetics/śikṣā and mantra application to a step-by-step worship sequence (krama) for installation and visualization.