Pañca-prakṛti-nirūpaṇa and Mantra-vidhi: Rādhā, Mahālakṣmī, Durgā, Sarasvatī, Sāvitrī; plus Sāvitrī-Pañjara
यां समाराध्य ससृजे ब्रह्मा लोकांश्चराचरान् । लक्ष्मी माया कामपूर्वा सावित्री ङेसमन्विता ॥ ११० ॥
yāṃ samārādhya sasṛje brahmā lokāṃścarācarān | lakṣmī māyā kāmapūrvā sāvitrī ṅesamanvitā || 110 ||
သူမကို သင့်တော်စွာ ပူဇော်ကာရောက်ရှိပြီးနောက် ဗြဟ္မာသည် လှုပ်ရှားသည့်အရာနှင့် မလှုပ်ရှားသည့်အရာတို့ပါဝင်သော လောကများကို ဖန်ဆင်း하였다။ သူမကို လက္ရှ္မီ၊ မာယာ၊ ကာမမတိုင်မီရှိသော အင်အား၊ နှင့် သာသနာအက္ခရာပါဝင်သည့် စာဝိထရီဟု ခေါ်ကြသည်။
Narada (within the Narada–Sanatkumara dialogue frame)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It teaches that even Brahmā’s creative act is empowered by propitiating the Divine Power (Śakti), identified through names like Lakṣmī, Māyā, and Sāvitrī—showing worship as the root of manifestation and order.
By stating that creation follows ‘samārādhana’ (reverent worship), the verse implies that devotion is not merely emotional but a potent, disciplined approach that aligns the devotee with the cosmic source of auspiciousness and power.
It highlights mantric praxis—invocation through sacred syllables and the Sāvitrī (Gāyatrī) principle—pointing to the technical role of mantra and correct utterance (linked to Śikṣā/phonetics) in Vedic ritual effectiveness.
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