The Recitation of the Thousand Names of Rādhā and Kṛṣṇa (Yugala-Sahasranāma) and Śaraṇāgati-Dharma
कृष्णबुद्धिः कृष्णसाराकृष्णरूपविहारिणी । कृष्णकान्ता कृष्णधना कृष्णमोहनकारिणी ॥ १५८ ॥
kṛṣṇabuddhiḥ kṛṣṇasārākṛṣṇarūpavihāriṇī | kṛṣṇakāntā kṛṣṇadhanā kṛṣṇamohanakāriṇī || 158 ||
သူမ၏ ဉာဏ်သည် ကൃഷ്ണ၌ တည်မြဲ၍ သူမ၏ အနှစ်သာရသည် ကൃഷ്ണပင်ဖြစ်သည်။ ကൃഷ്ണ၏ ရုပ်သဏ္ဌာန်၌ ပျော်မွေ့လျက်၊ ကൃഷ്ണ၏ ချစ်သူဖြစ်ပြီး သူမ၏ ဓနသည် ကൃഷ്ണပင်။ ကൃഷ്ണအားဖြင့် အခြားသူတို့ကို မောဟစေသူလည်း ဖြစ်သည်။
Narada (in the Narada–Sanatkumara dialogue context)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It presents the bhakta’s ideal identity: mind, essence, joy, love, and wealth are all centered on Krishna, showing total absorption (ananya-bhakti) as the core spiritual attainment.
Bhakti is shown as exclusive orientation—Krishna becomes the devotee’s thought (buddhi), inner substance (sāra), delight (vihāra), beloved (kānta), and treasure (dhana), culminating in a devotional presence that naturally influences others.
The verse models stuti/namāvali-style composition—using repeated epithets and semantic stacking—useful for chandas-aligned recitation and devotional pedagogy (a practical application of Sanskrit poetics and liturgical usage rather than a ritual manual).