Mantra-Māhātmya and Sādhana of Kārtavīryārjuna
Nyāsa, Yantra, Homa, and Dīpa-Vrata
ताराद्यानथ शेषार्णान्मस्तके च ललाटके । भ्रुवोः श्रुत्योस्तथैवाक्ष्णोर्नसि वक्त्रे गलेंऽसके ॥ १५ ॥
tārādyānatha śeṣārṇānmastake ca lalāṭake | bhruvoḥ śrutyostathaivākṣṇornasi vaktre galeṃ'sake || 15 ||
ထို့နောက် ‘တာရာ’ ဟူသော အက္ခရာမှ စ၍ ကျန်သော အက္ခရာများကို ခေါင်းပေါ်နှင့် နဖူးပေါ်၌ ထားရမည်။ ထိုနည်းတူ မျက်ခုံး၊ နား၊ မျက်စိ၊ နှာခေါင်း၊ မျက်နှာနှင့် လည်ချောင်း၊ ပခုံးဒေသ၌လည်း ထားရမည်။
Narada (instructional narration within Vedanga/technical context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It describes a disciplined, body-based placement of sacred syllables (a nyāsa-like method), treating the body as a ritual field so mantra-sound is internalized and made contemplative rather than merely recited.
By prescribing reverent placement of mantra-syllables on the limbs, it supports focused remembrance and sanctification of the practitioner’s senses—an aid to steady devotion through embodied attention.
It reflects Śikṣā (phonetics/recitation discipline) and mantra-procedure: the ordered use of varṇas (phonemes) and their ritual application (nyāsa) for correct, effective practice.