Hanumān-mantra-kathana: Mantra-bheda, Nyāsa, Yantra, and Prayoga
ततः श्रृंखलिकां चेति वेदनेत्राक्षरो मनुः । इमं मंत्रं दक्षकरे लिखित्वा वामहस्ततः ॥ १७८ ॥
tataḥ śrṛṃkhalikāṃ ceti vedanetrākṣaro manuḥ | imaṃ maṃtraṃ dakṣakare likhitvā vāmahastataḥ || 178 ||
ထို့နောက် «ဝေဒ၏ မျက်စိ» ဟုခေါ်သော အက္ခရာများဖြင့် စတင်သည့် မန္တရကို «śr̥ṅkhalikā» ဟူသော စကားနှင့်အတူ အသုံးပြုရမည်။ မန္တရကို လက်ယာဖျားပေါ်တွင် ရေးပြီးနောက် လက်ဝဲဘက်မှ သတ်မှတ်ထားသည့် နည်းအတိုင်း ဆက်လက်ပြုလုပ်ရမည်။
Narada (teaching in a technical/ritual context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It emphasizes disciplined mantra-prayoga: sacred sound is not only recited but also ritually placed/inscribed with bodily purity and right–left procedural order, reflecting the Vedic view that correct method safeguards spiritual efficacy.
Indirectly: bhakti is supported by careful, reverent observance of mantra and ritual procedure—treating the mantra as sacred knowledge (‘Veda’s eye’) and applying it with attentive practice rather than casual recitation.
Ritual-technical prayoga (kalpa-type procedure): inscribing/placing a mantra on the right palm and following a left-hand sequence suggests a codified method akin to hand-rituals (nyāsa/karma-krama) used in precise Vedic and post-Vedic practice.