The Description of the Worship of Rāma and Others
Rāmādi-pūjā-vidhāna
वह्निः शेषासनो भांतः केवलो द्व्यक्षरो मनुः । एकाक्षरोक्त वत्सर्वं मुनिध्यानार्चनादिकम् ॥ १०९ ॥
vahniḥ śeṣāsano bhāṃtaḥ kevalo dvyakṣaro manuḥ | ekākṣarokta vatsarvaṃ munidhyānārcanādikam || 109 ||
«ဝဟ္နိ» (အဂ္နိ)၊ «ရှေရှာသန» (ရှေရှပေါ်၌ လဲလျောင်းတော်မူသူ)၊ «ဘန္တ» (တောက်ပသူ) နှင့် «ကေဝလ» (အဘsolute) တို့သည် နှစ်အက္ခရာ သန့်ရှင်းသော မန္တရများဖြစ်၏။ သို့သော် တစ်အက္ခရာ မန္တရတွင် မုနိတို့၏ ဓ్యာန၊ အာရ္ချနာနှင့် ဆက်စပ်သည့် သဒ္ဓနာအားလုံး ပါဝင်ကြောင်း ကြေညာထား၏။
Narada (instructional discourse within Vedanga/Mantra-vidya section; traditionally framed in Narada–Sanatkumara dialogue)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It teaches mantra-hierarchy: many devotional and contemplative practices are said to be gathered into the potency of a single-syllable mantra, while certain divine epithets function as concise two-syllable mantras.
By presenting divine names like Śeṣāsana and Bhānta as mantras, it frames bhakti as name-based upāsanā—meditation and worship centered on the Lord—condensed into powerful mantra-forms.
A mantra-śāstra/phonetic (śikṣā-like) insight: the count of syllables (akṣara) matters, and specific akṣara-mantras are linked to defined ritual and meditative applications (dhyāna, arcana).