The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
यस्य सन्धारणादेव भवेयुः सर्वसम्पदः । श्वेतभूर्ज्जे लिखेत्पद्मं द्वात्रिंशत्सिंहसंयुतम् ॥ ८७ ॥
yasya sandhāraṇādeva bhaveyuḥ sarvasampadaḥ | śvetabhūrjje likhetpadmaṃ dvātriṃśatsiṃhasaṃyutam || 87 ||
၎င်းကို ဝတ်ဆင်ခြင်း သို့မဟုတ် ထိန်းသိမ်းထားခြင်းသာဖြင့်ပင် စည်းစိမ်အပေါင်းတို့ ပေါ်ပေါက်လာမည်။ အဖြူရောင် ဘူရ္ဇ (birch-bark) ပေါ်တွင် ကြာပန်းကို ရေးဆွဲ၍ ခြင်္သေ့ ၃၂ ကောင်ဖြင့် တန်ဆာဆင်ရမည်။
Sanatkumara (in instruction to Narada within the Vedāṅga/ritual-technical discourse)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It presents a dhāraṇā-based practice: a consecrated diagram (lotus with thirty-two lions) is to be written on white birch-bark and retained, symbolizing ordered sacred power that supports auspiciousness and prosperity (sarva-sampadā).
While primarily technical/ritual, it implies that prosperity is linked to faithful observance (śraddhā) of prescribed sacred methods; in the Narada Purana’s broader frame, such aids are ideally subordinate to devotion and right conduct rather than mere material gain.
It highlights ritual-technical procedure (lekhanā on bhūrja-patra and dhāraṇā), reflecting applied śāstra-prayoga typical of Vedāṅga-adjacent disciplines (kalpa/ritual methodology and protective rites).