The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
रक्तास्थिमज्जासु तनौ न्यसेद्वर्णान्विचक्षणः । वर्णान्पदे गुल्फजानुकटिनाभिहृदि स्थले ॥ २४ ॥
raktāsthimajjāsu tanau nyasedvarṇānvicakṣaṇaḥ | varṇānpade gulphajānukaṭinābhihṛdi sthale || 24 ||
ပညာရှိသော အကျင့်ကျင့်သူသည် သန့်ရှင်းသော အက္ခရာများကို ကိုယ်ခန္ဓာပေါ်၌—သွေး၊ အရိုး၊ အရိုးမြစ် (မဇ္ဇာ) ပေါ်၌ပင်—နျာသပြုရ၏; ထို့ပြင် ခြေ၊ ခြေခလယ်၊ ဒူး၊ တင်ပါး၊ ချက်နှင့် နှလုံးဒေသ၌ အက္ခရာများကို ထားရ၏။
Sanatkumara (teaching Narada in a Vedanga/ritual-technical context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches internalizing mantra-power by ritually “installing” sacred phonemes in the body, turning the practitioner’s body into a consecrated support for japa and meditation.
Though technical, nyāsa supports bhakti by making mantra-recitation steady and embodied—so remembrance of the chosen deity can be sustained with greater purity and focus.
Śikṣā and mantra-vidhi are implied: the verse treats varṇas (phonemes) as potent units and instructs their systematic placement (nyāsa) at specific bodily points for ritual efficacy.