The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
सर्वाङ्गुलीषु विन्यस्यावशिष्टं तलयोर्न्यसेत् । शिरोललाटे भ्रूमध्ये नेत्रयोः कर्णयोस्तथा ॥ २१ ॥
sarvāṅgulīṣu vinyasyāvaśiṣṭaṃ talayornyaset | śirolalāṭe bhrūmadhye netrayoḥ karṇayostathā || 21 ||
လက်ချောင်း/ခြေချောင်း အားလုံးပေါ်တွင် (မန္တရ/ဓာတ်) ကို ထားပြီးနောက် ကျန်ရှိသမျှကို လက်ဖဝါး နှစ်ဖက်ပေါ်၌ ထားရ၏; ထို့အတူ ခေါင်းနှင့် နဖူး၊ မျက်ခုံးကြား၊ မျက်စိနှစ်ဖက်၊ ထို့ပြင် နားနှစ်ဖက်ပေါ်၌လည်း ထားရ၏။
Sanatkumara (teaching Narada the technical procedure of nyāsa)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches nyāsa—ritually “installing” mantra-śakti in the body—so the practitioner becomes a fit vessel for japa and worship, turning the senses and mind toward sacred awareness.
By sanctifying hands, head, and sense-organs through nyāsa, the devotee prepares the body and perception for focused upāsanā; this supports steady remembrance and reverent service central to bhakti.
Practical ritual-technology: a step-by-step nyāsa/vinyāsa sequence (karanyāsa/anga-nyāsa style) specifying precise bodily loci—fingers, palms, head, brow-center, eyes, and ears.