The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
क्षौं नृसिंहरूपधारिन् ॐ क्लं श्लश्च स्वरादिकः । ष्टाङ्गविन्यासविन्यस्तमूर्तिधारिंस्ततश्च फट् ॥ २०० ॥
kṣauṃ nṛsiṃharūpadhārin oṃ klaṃ ślaśca svarādikaḥ | ṣṭāṅgavinyāsavinyastamūrtidhāriṃstataśca phaṭ || 200 ||
«ကၡော်ṁ—နရစിംဟ ရုပ်ကို ဆောင်သူ၊ အိုṁ၊ က္လံ၊ ရှလ» ဟူ၍ သရများအစဉ်ဖြင့် စတင်ရွတ်ဆို။ အင်္ဂခြောက်ပါး ညာသ (ṣaḍ-aṅga nyāsa) ဖြင့် ရုပ်တည်စေသော ဒေဝတားကို ထူထောင်ပြီးနောက် «ဖတ်» ဟု ဆိုရမည်။
Sanatkumara (teaching Nārada)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It encodes a protective Nṛsiṃha invocation using bīja-syllables and nyāsa, indicating that devotion is strengthened by disciplined mantra-vidhi and inner installation of the deity’s form.
Bhakti here is expressed as focused remembrance and invocation of Nṛsiṃha, supported by ritual precision (nyāsa and seed-syllables) so the devotee’s body-mind becomes a seat of Viṣṇu’s presence.
Śikṣā (phonetics) is implied by “svarādikaḥ” (vowel-based sequence) and correct utterance of mantra-syllables; ritual application is shown through ṣaḍaṅga/‘six-limbed’ nyāsa and the use of “phaṭ” for protection.
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