Śeṣoditya-Sūrya-nyāsa, Soma-sādhana, Graha-pūjā, and Bhauma-vrata-vidhi
हंसाख्यमग्नीषोमाख्यं मंडलत्रयमेव च । पुनर्न्यासत्रयं कुर्यान्मूलेन व्यापकं चरेत् ॥ १९ ॥
haṃsākhyamagnīṣomākhyaṃ maṃḍalatrayameva ca | punarnyāsatrayaṃ kuryānmūlena vyāpakaṃ caret || 19 ||
ဟံသာဟု ခေါ်သော မဏ္ဍလနှင့် အဂ္နီဩမဟု ခေါ်သော မဏ္ဍလတို့အပါအဝင် မဏ္ဍလ သုံးပါးကို အရင်တည်စေ၍၊ ထို့နောက် နျာသ သုံးမျိုးကို ထပ်မံပြုလုပ်ရမည်။ ထို့ပြီး မူလမန္တရဖြင့် အလုံးစုံပျံ့နှံ့သော (ဗျာပက) တင်ထားခြင်း/ရွတ်ဆိုခြင်းကို ကျင့်ရမည်။
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It emphasizes disciplined mantra-sādhana: establishing sacred maṇḍalas and repeating nyāsa so the mantra is internalized as an all-pervading divine presence rather than a merely external rite.
By prescribing vyāpaka practice with the mūla-mantra, it turns ritual technique into continuous remembrance—training the devotee to feel the deity’s presence pervading the whole body and space, which supports steady bhakti.
It highlights applied ritual science—mantra-nyāsa and maṇḍala construction/sequence—technical procedure aligned with Vedic auxiliary disciplines used in correct performance and internalization of worship.