Adhyaya 47 — Brahma’s Awakening and the Ninefold Scheme of Creation
तं दृष्ट्वासाधकं सर्गममन्यदपरं पुनः ।
तस्याभिध्यायतः सर्गं तिर्यक्स्रोतो ह्यवर्तत ॥
taṃ dṛṣṭvāsādhakaṃ sargam amanyad aparaṃ punaḥ /
tasyābhidhyāyataḥ sargaṃ tiryakstroto hy avartata ||
ထိုဖန်တီးမှုသည် ရည်ရွယ်ချက်နှင့် မကိုက်ညီ၍ အကျိုးမရှိကြောင်း မြင်သဖြင့်၊ သူသည် ထပ်မံ၍ အခြားဖန်တီးမှုတစ်ရပ်ကို စိတ်ကူးတည်ဆောက်하였다။ ထိုသို့ စဉ်းစားသုံးသပ်နေစဉ် «တိရျယက်-စရောတစ်» (ဘေးဘက်သို့ စီးဆင်း/လှုပ်ရှားသော) ဟု ခေါ်သော ဖန်တီးမှု ပေါ်ပေါက်လာ하였다။
{ "primaryRasa": "adbhuta", "secondaryRasa": "shanta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
Creation is presented as a graded manifestation: when a form of manifestation does not serve the intended telos (ordered life, knowledge, or dharma), Brahmā ‘re-conceives’ further orders. The text implies a hierarchy of capacity for knowledge and purposeful action among beings.
Primarily Sarga (primary creation): successive emanations of categories of beings from Brahmā’s contemplation.
‘Srotas’ (stream/flow) symbolizes the directional tendency of consciousness: sideways (instinct-bound), upward (sattva-illumined), and downward (mixed, effortful). The verse introduces the ‘sideways’ current as a mode of embodied awareness.