Agni Purana — Yoga & Brahma-vidya, Shloka 16
Adhyāya 375 — समाधिः
Samādhi
गृद्दण्दचक्रसंयोगात् कुम्भकारो यथा घटं करोति तृणमृत्काष्ठैर् गृहं वा गृहकारकः
gṛddaṇdacakrasaṃyogāt kumbhakāro yathā ghaṭaṃ karoti tṛṇamṛtkāṣṭhair gṛhaṃ vā gṛhakārakaḥ
အုတ်မြေတုံး၊ တံတား (တုတ်) နှင့် လှည့်ဘီးတို့ ပေါင်းစည်းမှုကြောင့် အိုးလုပ်သမားက အိုးကို ပြုလုပ်သကဲ့သို့၊ သို့မဟုတ် အိမ်ဆောက်သမားက မြက်၊ မြေ (အုတ်မြေ) နှင့် သစ်သားတို့ဖြင့် အိမ်ကို ဆောက်သကဲ့သို့—အကျိုးတရားသည် လုပ်ဆောင်ရေးကိရိယာများနှင့် ပစ္စည်းများ ပေါင်းစည်းမှုကြောင့် ဖြစ်ပေါ်လာသည်။
Lord Agni (instructing the sage Vasiṣṭha in an encyclopedic didactic register)
Vidya Category: {"primary_vidya":"Alamkara","secondary_vidya":"Philosophy","practical_application":"Use drishtanta (potter/house-builder) to teach causality: effects arise from the conjunction of material cause and operative instruments; helpful for reasoning in debate and for clear exposition.","sutra_style":true}
Encyclopedic Reference: {"reference_type":"Commentary","entry_title":"Kārya-siddhi by sādhanas and upādāna: potter and house-builder analogy","lookup_keywords":["drishtanta","kumbhakara","kārya-kāraṇa","upādāna","nimitta"],"quick_summary":"An effect is produced when materials and instruments/agents combine—clay with wheel/rod for a pot, or straw-clay-wood with a builder for a house—illustrating causal conditions."}
Alamkara Type: Drishtanta
Concept: Kārya depends on kāraṇa-sāmagrī (total causal complex): material cause plus instruments/agent; without conjunction, no production.
Application: When analyzing any outcome (ritual, learning, meditation), identify required materials, tools, and operative effort; remove missing links rather than blaming ‘fate’.
Khanda Section: Sahitya-shastra (Kavya-nyaya / illustrative analogies)
Primary Rasa: adbhuta
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"A potter shaping a pot on a wheel with rod and clay; alongside, a builder assembling a house frame with straw, clay, and wood—both scenes emphasizing tools and materials.","kerala_mural_prompt":"Kerala mural, two-panel composition: left potter at wheel with stylized motion lines, right house-builder stacking straw and clay with wooden beams, bold outlines, earthy tones.","tanjore_prompt":"Tanjore, potter and builder rendered as auspicious craftsmen, gold highlights on tools (wheel rim, rod, beams), decorative borders, rich colors.","mysore_prompt":"Mysore painting, clear instructional depiction of the wheel, rod, clay lump, and stepwise house materials, fine detailing and soft shading.","mughal_miniature_prompt":"Mughal miniature, workshop and construction site with realistic tools, artisans in period attire, intricate textures of clay and straw, architectural detail in background."}
Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Kalyani","pace":"medium","voice_tone":"instructional"}
Sandhi Resolution Notes: गृद्दण्दचक्रसंयोगात् = गृद् + दण्ड + चक्र + संयोगात्; तृणमृत्काष्ठैर् = तृण + मृत् + काष्ठैः (तृतीया बहुवचन; विसर्ग-लोपः/रेफः).
Related Themes: Agni Purana Sahitya/Alamkara portions on nyaya and drishtanta; Moksha-dharma reasoning passages on kārya-kāraṇa
FAQs
It teaches a technical principle of production: an effect (like a pot or house) arises from the coordinated combination of material causes (clay, straw, wood) and instrumental/operative causes (wheel, rod, skilled maker).
By drawing examples from crafts (pottery and house-building) to explain general principles, the text integrates practical arts with broader explanatory frameworks—typical of the Agni Purana’s multi-disciplinary, encyclopedic style.
It reinforces the doctrine that results follow causes: actions done with the proper means and materials yield corresponding fruits, encouraging disciplined, correct effort (karma) aligned with right knowledge.