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Varaha Purana 98.8 — Adhyaya 98, Shloka 8

Chapter on the Sacred Hill Episode: Satyatapā and the Marvel of Varāha

चिच्छेद चाङ्गुलीमेकां वामतर्जनिकां मुनिः ॥ छिन्नायामङ्गुलौ तस्य भस्मचूर्णं भवत्किल ॥

ciccheda cāṅgulīm ekāṃ vāma-tarjanikāṃ muniḥ || chinnāyām aṅgulau tasya bhasmacūrṇaṃ bhavat kila ||

Sang muni memotong satu jari—jari telunjuk kiri. Apabila jari itu terpotong, dikatakan ia menjadi abu halus seperti serbuk.

चिच्छेदcut off
चिच्छेद:
क्रिया (Main verb)
TypeVerb
Rootछिद् (धातु)
Formलिट्-लकार (Perfect), प्रथमपुरुष, एकवचन; परस्मैपदम्
and
:
समुच्चय (Conjunction)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
अङ्गुलीम्a finger
अङ्गुलीम्:
कर्म (Object/कर्म)
TypeNoun
Rootअङ्गुली (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया-विभक्ति, एकवचन
एकाम्one
एकाम्:
विशेषण (Adjectival)
TypeAdjective
Rootएक (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया-विभक्ति, एकवचन; विशेषणम् (अङ्गुलीम्)
वामतर्जनिकाम्the left index-finger
वामतर्जनिकाम्:
सम्बन्ध/विशेषण (Specifier of the finger)
TypeNoun
Rootवाम + तर्जनी (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया-विभक्ति, एकवचन; तत्पुरुषः (वामस्याः तर्जनी)
मुनिःthe sage
मुनिः:
कर्ता (Subject/कर्ता)
TypeNoun
Rootमुनि (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन
छिन्नायाम्when cut
छिन्नायाम्:
अधिकरण (Locative absolute-like)
TypeVerb
Rootछिद् (धातु)
Formक्त-प्रत्ययान्त भूतकर्मणि कृदन्त (past passive participle), स्त्रीलिङ्ग, सप्तमी-विभक्ति, एकवचन; ‘when (it was) cut’
अङ्गुलौin/on the finger
अङ्गुलौ:
अधिकरण (Locative/अधिकरण)
TypeNoun
Rootअङ्गुली (प्रातिपदिक)
Formस्त्रीलिङ्ग, सप्तमी-विभक्ति, एकवचन (वैकल्पिक-रूपम्; अङ्गुल्याम् इत्यर्थे)
तस्यof him
तस्य:
सम्बन्ध (Genitive relation)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी-विभक्ति, एकवचन; सर्वनाम
भस्मचूर्णम्ash-powder
भस्मचूर्णम्:
कर्ता (Subject/कर्ता)
TypeNoun
Rootभस्म + चूर्ण (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा-विभक्ति, एकवचन; तत्पुरुषः (भस्मनः चूर्णम्)
भवत्becomes, occurs
भवत्:
क्रिया (Main verb)
TypeVerb
Rootभू (धातु)
Formलट्-लकार (Present), प्रथमपुरुष, एकवचन; परस्मैपदम्
किलit is said
किल:
वाक्यनिपात (Discourse particle)
TypeIndeclinable
Rootकिल (अव्यय)
Formनिपात (particle; reportative)

Varāha

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"The ‘ash-like’ finger suggests the ascetic’s body is no longer governed by gross dhātu-identity; tapas ‘burns’ materiality into bhasma, pointing to mastery over the elements and de-identification from the body.","yajna_varaha_imagery":"Bhasma evokes the residue of yajña-fire; the body itself becomes ‘offering-fuel’ transformed by inner agni (tapas).","vedantic_connection":"Hints at the Upaniṣadic theme that the Self is untouched by bodily change; phenomenal body can appear ‘empty’ of ordinary substance under realized detachment."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"body-and-self","core_concept":"Tapas can invert ordinary assumptions about corporeality; the realized ascetic is not reducible to flesh-and-blood identity.","practical_application":"Cultivate vairāgya and disciplined practice; interpret ‘wonders’ as pointers to inner transformation rather than as goals."}

Subject Matter: ["Asceticism","Philosophy","Textual Wonders"]

Primary Rasa: adbhuta

Secondary Rasa: śānta

Type: hermitage scene

Related Themes: Varāha Purāṇa: continuation in 98.9.0 (absence of blood/flesh; restoration)

Visual Art Cues: {"scene_description":"The muni accidentally (or in the act) severs his left index finger; instead of blood, the severed part turns to ash-like powder.","item_prompts":["left hand with missing index finger","ash/powder drifting","axe nearby","astonished yet composed ascetic face","forest hermitage backdrop"],"kerala_mural_prompt":"Stylize the ash transformation with swirling pale-grey motifs; keep the muni’s expression tranquil, emphasizing tapas mastery over shock.","tanjore_prompt":"Use gold accents sparingly to frame the miracle; ash rendered as textured silver/grey; central figure calm, miracle highlighted by contrast.","mysore_prompt":"Detailed hand anatomy; subtle depiction of ash dispersal; natural forest tones; focus on the uncanny absence of gore.","pahari_prompt":"Minimalist miracle: a small cloud of ash near the hand, delicate linework, quiet background, emphasizing wonder without horror."}

Audio Atmosphere: {"recitation_mood":"wondrous, hushed","suggested_raga":"Todi","pace":"medium","voice_tone":"soft but intent, highlighting the marvel"}

C
Classical Literature
P
Purāṇic Narrative
M
Miracle Motifs

FAQs

It records a ‘marvel’ (citra) motif—bodily transformation into ash—used in Sanskrit narrative to signal extraordinary ascetic attainment and to intensify the didactic impact.

No new location is introduced; the event occurs at the already described Himalayan riverbank setting.

The text highlights ascetic power as a narrative proof of inner transformation; ethically, it frames austerity as a means of self-mastery rather than social display.

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