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Varaha Purana 73.6 — Adhyaya 73, Shloka 6

Rudra’s Hymn: Vision of Nārāyaṇa, the Emergence of the Ādityas, and the Mutual Boon of Hari and Hara

एवमुक्ता मया ते तु नोचुः किञ्चन सत्तमाः । एवमेव गतास्तूष्णीं ते नरा द्विजपुङ्गव ॥ ७३.६ ॥

evamuktā mayā te tu nocuḥ kiñcana sattamāḥ | evameva gatāstūṣṇīṃ te narā dvijapuṅgava || 73.6 ||

Walaupun aku berkata demikian, mereka yang terbaik di antara manusia itu tidak berkata apa-apa; demikianlah, wahai yang utama di antara kaum dwija, orang-orang itu pergi dalam diam.

एवम्thus
एवम्:
क्रियाविशेषण (manner adjunct)
TypeIndeclinable
Rootएवम् (अव्यय)
Formअव्यय, प्रकारवाचक (adverb: 'thus')
उक्ताः(they) having been addressed
उक्ताः:
कर्ता (logical subject of following verb)
TypeVerb
Rootवच् (धातु)
Formभूतकृदन्त (Past passive participle/क्त), पुंलिङ्ग, प्रथमा, बहुवचन; कर्मणि (having been spoken to/addressed)
मयाby me
मया:
कर्ता (agent)
TypeNoun
Rootअस्मद् (सर्वनाम-प्रातिपदिक)
Formतृतीया (Instrumental), एकवचन
तेthey
ते:
कर्ता (subject)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन; (they)
तुbut
तु:
सम्बन्ध (particle)
TypeIndeclinable
Rootतु (अव्यय)
Formअव्यय, विरोध/अन्वयार्थक-निपात (but/indeed)
not
:
निषेध (negation)
TypeIndeclinable
Rootन (अव्यय)
Formअव्यय, निषेध (negation)
ऊचुःsaid
ऊचुः:
क्रिया (action)
TypeVerb
Rootवच् (धातु)
Formलिट् (Perfect), प्रथमपुरुष (3rd person), बहुवचन; परस्मैपद
किञ्चनanything
किञ्चन:
कर्म (object)
TypeNoun
Rootकिञ्चन (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (Accusative), एकवचन; अनिश्चित-प्रमाण (indefinite: 'anything')
सत्तमाःthe best (noble ones)
सत्तमाः:
कर्ता (apposition to ते)
TypeNoun
Rootसत्तम (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन; (सत् + तमप्) उत्कृष्टार्थक (superlative: 'best of the good')
एवम्thus
एवम्:
क्रियाविशेषण
TypeIndeclinable
Rootएवम् (अव्यय)
Formअव्यय, प्रकारवाचक
एवindeed
एव:
सम्बन्ध (particle)
TypeIndeclinable
Rootएव (अव्यय)
Formअव्यय, अवधारणार्थक (emphatic: 'indeed/just')
गताःwent
गताः:
क्रिया/कर्ता (predicate participle)
TypeVerb
Rootगम् (धातु)
Formभूतकृदन्त (Past active participle/क्त), पुंलिङ्ग, प्रथमा, बहुवचन; कर्तरि
तूष्णीम्silently
तूष्णीम्:
क्रियाविशेषण (manner)
TypeIndeclinable
Rootतूष्णीम् (अव्यय)
Formअव्यय, क्रियाविशेषण (adverb: 'silently')
तेthose
ते:
कर्ता (subject)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन
नराःmen
नराः:
कर्ता (apposition)
TypeNoun
Rootनर (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन
द्विजपुङ्गवO best of the twice-born (brahmins)
द्विजपुङ्गव:
सम्बोधन (Address)
TypeNoun
Rootद्विज (प्रातिपदिक) + पुङ्गव (प्रातिपदिक)
Formसम्बोधन (Vocative), पुंलिङ्ग, एकवचन; षष्ठी-तत्पुरुषः (द्विजानां पुङ्गवः)

Varāha (default dialogue framework; speaker not explicit in this fragment)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"observer","bhu_devi_state":"perplexed; her inquiry meets silence, increasing uncertainty","key_question":"Why do the radiant men refuse speech—what is the meaning of their silent departure?"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"ethics of speech and contemplative reserve","core_concept":"Not all agents in a sacred/cosmic process are meant to instruct; silence can indicate absorption, vow, or transcendence of ordinary discourse.","practical_application":"When confronted with the inexplicable, maintain composure; seek the proper teacher/source rather than forcing answers from those not tasked to speak."}

Subject Matter: ["Dialogue","Ethics","Narrative Conduct"]

Primary Rasa: adbhuta

Secondary Rasa: shanta

Type: cosmic/elemental region

Related Themes: 73.73.7 (a ‘mahāpuruṣa’ appears following them, implying the true explainer)

Visual Art Cues: {"scene_description":"A questioning figure addresses a group of radiant men; they continue forward without turning, their faces serene and closed to conversation, leaving the questioner behind amid steaming waters.","item_prompts":["procession moving away","turned backs / averted faces","gesture of inquiry unanswered","quiet aura around the departing men","stillness contrasted with moving water"],"kerala_mural_prompt":"Kerala mural: stylized departing figures with calm eyes; the questioner’s expressive mudrā; muted background to emphasize silence.","tanjore_prompt":"Tanjore: gold halos receding in perspective; minimal speech cues (no open mouths); ornate border framing a ‘silent departure’.","mysore_prompt":"Mysore: soft, contemplative mood; delicate facial expressions showing restraint; subdued palette.","pahari_prompt":"Pahari: narrative vignette with gentle spacing; figures walking in a line; emphasis on the emotional gap created by silence."}

Audio Atmosphere: {"recitation_mood":"hushed, reflective, slightly suspenseful","suggested_raga":"Madhyamāvati","pace":"slow-medium, with a long pause after tūṣṇīm","voice_tone":"soft, controlled, conveying quiet mystery"}

C
Classical Literature
P
Purāṇic Narrative
V
Vaishnavism
S
Sanskrit Philology

FAQs

It reflects a common Purāṇic narrative technique: reporting speech (or the absence of speech) to mark social etiquette, narrative tension, or the gravity of an exchange within classical Sanskrit storytelling.

No geographic location is named in this verse fragment; it is primarily a narrative report about a silent departure.

Implicitly, it foregrounds restraint in speech and the meaningfulness of silence in dialogue, especially in interactions involving socially respected figures (e.g., addressed as dvijapuṅgava).

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