The Battle between the Rākṣasas and Yama’s Attendant-Messengers
प्रविवेश गृहं स्वं तु सम्भ्रमेणेदृशेन तु ॥ आननं तु समुत्प्रोष्छ्य सङ्ग्रामे स्वेदबिन्दुवत् ॥
praviveśa gṛhaṃ svaṃ tu sambhrameṇedṛśena tu || ānanaṃ tu samutproṣchya saṅgrāme svedabinduvat ||
Baginda memasuki rumahnya sendiri dalam kegelisahan yang demikian; lalu mengangkat wajahnya, tampak seolah-olah di medan perang, seperti seseorang yang diselaputi titisan peluh.
Varāha (default speaker framework; explicit speaker not stated in excerpt)
It exemplifies Purāṇic narrative technique—using bodily imagery (sweat, agitation) to mark a transition into a consequential dialogue or decision-point within dharma-oriented storytelling.
No geographic toponym appears in this verse; the scene is interior/domestic (gṛha), without a named place.
The verse does not state an explicit instruction; it frames a tense psychological state that typically precedes moral or juridical speech in the surrounding narrative.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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