Varaha Purana 138.2 — Adhyaya 138, Shloka 2
The Episode of the Khañjarīṭa Bird
and the Saukarava Tīrtha’s Merit
इति खञ्जरीटोपाख्यानं समाप्तम्।
iti khañjarīṭopākhyānaṃ samāptam
Demikianlah berakhirnya episod kisah yang dinamakan “Khañjarīṭa Upākhyāna.”
Narrator (editorial colophon)
Varaha Avatara Context: {"is_varaha_focus":false,"aspect_highlighted":"None","boar_form_detail":"None","earth_interaction":"None"}
Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"observer","bhu_devi_state":"None","key_question":"None"}
Mathura Mandala: {"is_mathura_related":false,"specific_site":"Saukarava","parikrama_context":"None","krishna_connection":"None"}
Dharma Shastra: {"has_dharma_rule":false,"topic":"None","instruction_summary":"None","karmic_consequence":"None"}
Vrata Mahatmya: {"has_vrata":false,"vrata_name":"None","tithi_month":"None","promised_fruit":"None"}
Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"‘Saukarava’ (boar-associated sacred setting) functions as a narrative threshold where hearing (śravaṇa) itself becomes purifying—linking Varāha’s boar-identity to tīrtha efficacy and moral transformation.","yajna_varaha_imagery":"Implicit: boar-associated locus as a ‘yajña-field’ where śravaṇa is the offering and puṇya is the fruit.","vedantic_connection":"Śravaṇa as a means of inner transformation; Purāṇic kathā operates as upāya for saṃskāra-change (including jāti/condition transformation)."}
Philosophical Teaching: {"has_teaching":true,"teaching_type":"soteriology via śravaṇa and saṃskāra-change","core_concept":"Listening to purifying narrative in a sacred setting generates puṇya and can transform one’s embodied/social condition (jāti) through accumulated merit and reorientation of conduct.","practical_application":"Engage in attentive śravaṇa of dharma-kathā at tīrthas; let the heard virtues become practiced virtues, not mere information."}
Subject Matter: ["Heritage Sites","Sacred Geography"]
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: tīrtha/pleasant sacred locale (boar-associated)
Related Themes: Khaṃjarīṭa-upākhyāna (as the just-heard ‘most meritorious account’)
Visual Art Cues: {"scene_description":"Sūta narrates to an assembled audience at the scenic Saukarava tīrtha; the atmosphere is devotional and didactic, marking the transition into/around the Khaṃjarīṭa episode.","item_prompts":["Sūta seated on vyāsāsana","listeners (ṛṣis) in semicircle","riverbank/forest tīrtha setting","banner/title motif ‘Khaṃjarīṭa-upākhyāna’","suggestion of boar-associated emblem"],"kerala_mural_prompt":"Kerala mural: Sūta with palm-leaf manuscript, sages listening; lush tīrtha flora; decorative border with boar emblem indicating Saukarava.","tanjore_prompt":"Tanjore: Sūta central with gold aureole, sages around; ornate arch; embossed title panel; warm sacred ambience.","mysore_prompt":"Mysore: refined storytelling assembly, detailed foliage and river; calm faces; manuscript and rosaries highlighted.","pahari_prompt":"Pahari: hillside hermitage by a stream, Sūta narrating; delicate trees and soft sky; intimate satsang composition."}
Audio Atmosphere: {"recitation_mood":"formal frame-narration, calm and auspicious","suggested_raga":"Yaman","pace":"medium","voice_tone":"measured, storyteller’s cadence with clear enunciation"}
FAQs
It functions as a colophon-like closure, a common Purāṇic editorial device that marks the end of an embedded narrative unit (upākhyāna).
No location is named in this closing line; it primarily signals the end of the Khañjarīṭa episode before the next topic begins.
No direct ethical instruction is stated; the verse is structural, indicating textual segmentation.
Ask anything about this verse
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