वर्णानां ब्राह्मणो यद्वत्तथा तीर्थेषु संगमः । सरयूघर्घरायोगे वैष्णवस्थो नरः सदा
varṇānāṃ brāhmaṇo yadvattathā tīrtheṣu saṃgamaḥ | sarayūghargharāyoge vaiṣṇavastho naraḥ sadā
Sebagaimana Brāhmaṇa adalah yang utama dalam segala varṇa, demikianlah Saṅgama adalah yang utama dalam segala tīrtha. Pada pertemuan Sarayū dan Ghargharā, seseorang sentiasa berdiam dalam keadaan Vaiṣṇava (selaras bakti kepada Viṣṇu).
Brahmā (deduced: Vaiṣṇavakhaṇḍa discourse style)
Tirtha: Sarayū–Ghargharā Saṅgama
Type: sangam
Listener: null
Scene: Two rivers meet; above the waters a subtle Viṣṇu aura is suggested; pilgrims perform ācamana and offer flowers; the text’s analogy is visualized by placing a dignified brāhmaṇa figure as emblem of ‘foremost’.
The confluence is exalted as the highest class of tīrtha, naturally orienting the pilgrim toward Vaiṣṇava devotion.
The Sarayū–Ghargharā Saṅgama.
No single rite is commanded here; it primarily ranks the Saṅgama as supreme and frames the pilgrim’s devotional disposition.