पलाशफलन्यग्रोधप्लक्षाश्वत्थविकंकताः । औदुम्बरस्तथा बिल्वं चंदनं यज्ञियाश्च ये
palāśaphalanyagrodhaplakṣāśvatthavikaṃkatāḥ | audumbarastathā bilvaṃ caṃdanaṃ yajñiyāśca ye
Palāśa, kayu phala, nyagrodha, plakṣa, aśvattha, vikaṅkata, audumbara, bilva, kayu cendana, serta segala kayu yang layak bagi yajña—semuanya dipuji untuk kegunaan ritual.
Skanda (deduced from Prabhāsa-kṣetra-māhātmya narrative style)
Tirtha: Prabhāsa-kṣetra
Type: kshetra
Scene: A ritual workshop scene: artisans and priests selecting logs/leaves from named trees; each tree shown with distinctive leaves—palāśa trifoliate, banyan (nyagrodha) aerial roots, aśvattha heart-shaped leaves, bilva trifoliate, sandalwood paste—arranged like a sacred inventory.
Nature is integrated into dharma: certain trees are treated as ‘yajñiya’ and therefore appropriate supports for sacred action.
Prabhāsa-kṣetra, within whose māhātmya the correct selection of ritual woods is taught.
A catalog of woods/trees is given as suitable for sacred use (yajñiya), forming a guideline for selecting ritual materials.