शिवलिंगे सामवेदो मर्कटे च मधुप्रियः । नारायणश्च गोमन्ते विदर्भायां द्विज प्रियः
śivaliṃge sāmavedo markaṭe ca madhupriyaḥ | nārāyaṇaśca gomante vidarbhāyāṃ dvija priyaḥ
Di Śivaliṅga, Dia dipuji sebagai Sāmaveda; di Markaṭa, Dia dikenali sebagai Madhupriya, yang mengasihi kemanisan. Di Gomanta, Dia ialah Nārāyaṇa; dan di Vidarbhā, Dia termasyhur sebagai Dvijapriya, yang mengasihi golongan dwija. Demikianlah Tuhan Yang Esa dipuja melalui banyak tempat suci.
Sūta (Lomaharṣaṇa) to the sages (deduced from Prabhāsa Māhātmya narrative style)
Tirtha: Śivaliṅga / Markaṭa / Gomanta / Vidarbhā
Type: kshetra
Scene: A procession of four shrines: a radiant liṅga with musical Sāma notes emanating; a playful ‘Markaṭa’ grove-temple where devotees offer honey/sweets to ‘Madhupriya’; a coastal hill/forest of Gomanta with Nārāyaṇa iconography; and a Vidarbha court/agrahāra scene where brāhmaṇas are honored as the Lord’s प्रिय (beloved).
The One Divine is approached through many names and forms; tīrthas reveal distinct epithets while affirming a single supreme reality.
Śivaliṅga, Markaṭa, Gomanta, and the region of Vidarbhā are cited as abodes where the Lord is praised by specific names.
No explicit rite is stated; the verse functions as tīrtha-saṅkīrtana—devotional remembrance of sacred places and divine names.