चतुर्विंशतिभेदेन पुराणज्ञैर्निरीक्षितः । मुखे जांबूनदं चैव शालग्रामः प्रकीर्तितः
caturviṃśatibhedena purāṇajñairnirīkṣitaḥ | mukhe jāṃbūnadaṃ caiva śālagrāmaḥ prakīrtitaḥ
Para ahli Purāṇa telah meneliti bahawa dia memiliki dua puluh empat jenis perbezaan. Dan Śālagrāma dimasyhurkan mempunyai tanda ‘jāmbūnada’—keemasan—pada wajahnya.
Narrator (contextual Purāṇic narration within Tīrthamāhātmya)
Tirtha: Śālagrāma (Gaṇḍakī-udbhava)
Type: kshetra
Scene: A learned assembly of purāṇa-knowers examines Śālagrāma stones, noting twenty-four varieties; one stone is shown with a golden ‘jāmbūnada’ marking on its face.
The divine is recognized through sacred signs; tradition preserves careful ways to discern and honor holy embodiments.
Indirectly the Gaṇḍakī–Śālagrāma sphere, since Śālagrāma is classically associated with Gaṇḍakī.
No direct ritual is stated; it emphasizes discernment of Śālagrāma forms and auspicious markings for proper worship.