सांबस्य तमभिप्रायं विज्ञाय स महामुनिः । विवेश सुमहारम्यं नारदः कृष्णमंदिरम्
sāṃbasya tamabhiprāyaṃ vijñāya sa mahāmuniḥ | viveśa sumahāramyaṃ nāradaḥ kṛṣṇamaṃdiram
Setelah memahami hasrat Sāmba, mahāmuni Nārada pun memasuki istana-kuil Śrī Kṛṣṇa yang teramat indah.
Skanda (deduced, Kāśīkhaṇḍa narrative frame)
Listener: Assembly of sages (frame audience)
Scene: Nārada, vīṇā-bearing sage, steps into an exceedingly beautiful Kṛṣṇa-mandira—part palace, part sanctum—where divine opulence and devotional serenity mingle; attendants pause as the sage enters with purposeful calm.
Great sages act with discernment; they respond to adharma by guiding events toward correction and dharmic resolution.
Dvārakā is the narrative location, with Kṛṣṇa’s splendid residence highlighted.
None explicitly; the verse narrates movement into Kṛṣṇa’s abode.