जगाम सुमहानादस्तपश्चक्रे सुदुष्करम् । तस्य वै तप्यमानस्य रक्षोवधकृतं तमः
jagāma sumahānādastapaścakre suduṣkaram | tasya vai tapyamānasya rakṣovadhakṛtaṃ tamaḥ
Dengan raungan yang besar, baginda melangkah pergi dan melakukan tapa yang amat sukar. Ketika baginda bertapa, kegelapan yang terhasil daripada pembunuhan para Rākṣasa mula tersingkir.
Narrator
Tirtha: Revā (Narmadā) south-bank tīrtha
Type: kshetra
Scene: On the riverbank, Hanumān sits in fierce austerity—still as a mountain—while a shadowy ‘tamas’ cloud behind him thins and dissolves into light; the river flows steadily beside.
Even when actions are dharmic, purification may be completed through tapas, presented as a means to dissolve lingering ‘tamas’ (taint).
The setting continues at the Revā/Narmadā bank tīrtha where Hanumān undertakes austerity.
Tapas (austerity) as a purificatory practice, complementing tīrtha-snāna.