Bhuvaneśī (Nidrā-Śakti) Mantra-vidhi, Nyāsa–Āvaraṇa Worship, Padma-homa Prayogas, and the Opening of Śrī-Mahālakṣmī Upāsanā
न्यस्तव्यं वदने मूलं भूपश्चैत्रांस्ततो न्यसेत् । कण्ठमूले स्तनद्वंद्वे वामांसे हृदयांबुजे ॥ १४ ॥
nyastavyaṃ vadane mūlaṃ bhūpaścaitrāṃstato nyaset | kaṇṭhamūle stanadvaṃdve vāmāṃse hṛdayāṃbuje || 14 ||
Hendaklah diletakkan (nyāsa) mantra Mūla (akar) pada mulut; kemudian letakkan huruf/mantra yang bermula dengan “bhūpa” dan “caitrā” pada pangkal leher, pada sepasang dada, pada bahu kiri, dan pada teratai hati.
Narada (in instructional discourse on technical ritual procedure, transmitted in the Narada Purana’s Vedanga-focused section)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches nyāsa—sacralizing the practitioner’s body as a seat of mantra by assigning the root mantra and its components to specific bodily loci (mouth, throat-base, chest, shoulder, and heart-lotus), aligning speech, breath, devotion, and inner awareness.
By directing the mantra into the heart-lotus and vital centers, the verse shows bhakti as embodied remembrance: devotion is not only recitation but an inward installation of the deity/mantra so worship becomes continuous from speech to heart.
Ritual-technical practice (prayoga) akin to Vedanga-style discipline: precise nyāsa sequencing and bodily “anga” mapping for mantra-japa/upāsanā, ensuring correct application of mantra in worship.