Narada Purana — Purva Bhaga, Shloka 104
Pañca-prakṛti-nirūpaṇa and Mantra-vidhi: Rādhā, Mahālakṣmī, Durgā, Sarasvatī, Sāvitrī; plus Sāvitrī-Pañjara
संस्मरन् सर्ववनिताः सततं देवताधिया । कवित्वं लभते धीमान् मासैर्द्वादशभिर्ध्रुवम् ॥ १०४ ॥
saṃsmaran sarvavanitāḥ satataṃ devatādhiyā | kavitvaṃ labhate dhīmān māsairdvādaśabhirdhruvam || 104 ||
Dengan sentiasa mengingati segala kuasa feminin ilahi, sambil meneguhkan minda pada Ketuhanan, orang yang bijaksana pasti memperoleh kemahiran puisi dalam dua belas bulan.
Sanatkumara (teaching Narada in a Vedanga/vidya-phala context)
Vrata: none
Primary Rasa: adbhuta (wonder)
Secondary Rasa: shanta (peace)
FAQs
It teaches that sustained deity-centered remembrance (devatā-dhī) refines speech and intellect, culminating in kavitva—an inspired, disciplined power of expression treated as a siddhi born of sādhana.
By making continuous remembrance and deity-oriented contemplation the means, it frames excellence in speech as a fruit of steady devotional focus rather than mere talent.
The verse points to the Vedanga-oriented ideal of mastering speech and expression (linked with Śikṣā and Vyākaraṇa in practice) through disciplined smaraṇa and dhyāna, implying that learning is strengthened by devotional concentration.