The Recitation of the Thousand Names of Rādhā and Kṛṣṇa (Yugala-Sahasranāma) and Śaraṇāgati-Dharma
गंधर्वा सुरतज्ञा च गोविंदप्राणसंगमा । कृष्णांगभूषणा रत्नभूषणा स्वर्णभूषिता ॥ १७३ ॥
gaṃdharvā suratajñā ca goviṃdaprāṇasaṃgamā | kṛṣṇāṃgabhūṣaṇā ratnabhūṣaṇā svarṇabhūṣitā || 173 ||
Dia ialah Gandharvī, mahir dalam seni asmara; nyawanya bersatu dengan Govinda. Dia menghiasi anggota-anggota Kṛṣṇa, berperhiasan permata, dan berseri dengan emas.
Narada (within the Narada–Sanatkumara dialogue framework)
Vrata: none
Primary Rasa: shringara
Secondary Rasa: bhakti
It presents devotion through vivid sacred aesthetics—depicting intimate, life-centered union with Govinda and service expressed as adorning Krishna, a poetic way of emphasizing single-pointed attachment (bhakti) to the Lord.
Bhakti is shown as loving closeness to Govinda—where one’s very prāṇa is ‘in union’ with Him—and as personal service (upacāra) symbolized by beautifying and honoring Krishna with ornaments.
While not a direct Vedanga rule, it reflects the puranic use of refined language and aesthetic culture (gandharva-related arts) to communicate dharmic devotion—useful for understanding how sacred literature employs poetic description as a teaching method.