The Exposition of the Krishna Mantra (Kṛṣṇa-mantra-prakāśa): Nyāsa, Dhyāna, Worship, Yantra, and Prayoga
उद्यत्प्रद्योतनोद्योतद्युतौ श्रीमणिमंडले । हेमांभोजासनासीनं कृष्णं त्रैलोक्यमोहनम् ॥ ९४ ॥
udyatpradyotanodyotadyutau śrīmaṇimaṃḍale | hemāṃbhojāsanāsīnaṃ kṛṣṇaṃ trailokyamohanam || 94 ||
Di atas pelantar permata yang gemilang, bersinar oleh cahaya yang sedang memancar naik, duduklah Kṛṣṇa—yang mempesona tiga alam—di atas singgahsana teratai emas.
Narada (descriptive narration within the dialogue with Sanatkumara tradition)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It presents a dhyāna-image of Kṛṣṇa—radiant, enthroned on a golden lotus—meant to steady the mind in devotion by contemplating the Lord as the all-attractive reality who captivates the three worlds.
Bhakti is supported here through reverent visualization (dhyāna) and praise: by fixing attention on Kṛṣṇa’s luminous form and majesty, the devotee’s mind naturally turns from distraction to loving remembrance (smaraṇa).
While not teaching a specific Vedāṅga rule, the verse exemplifies the applied use of chandas-style poetic compounds and devotional dhyāna practice—often integrated with mantra and ritual visualization in Purāṇic instruction.