The Exposition of the Krishna Mantra (Kṛṣṇa-mantra-prakāśa): Nyāsa, Dhyāna, Worship, Yantra, and Prayoga
हंससारससंकीर्णकमलोत्पलशालिभिः । सरोभिर्नीलांभोभिः परीते भवनोत्तमे ॥ ९३ ॥
haṃsasārasasaṃkīrṇakamalotpalaśālibhiḥ | sarobhirnīlāṃbhobhiḥ parīte bhavanottame || 93 ||
Kediaman yang paling mulia itu dikelilingi tasik-tasik berair biru, dipenuhi angsa dan burung sarasa, serta kaya dengan teratai dan lili air biru (utpala).
Suta (narrating the scene in the Purana’s frame dialogue)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It portrays an auspicious, sattvic environment—pure waters, sacred birds, and lotuses—used in Puranic literature to signal a holy setting fit for dharmic instruction and spiritual practice.
Indirectly, it frames devotion by emphasizing purity and sacred ambience: such serene surroundings support japa, worship, and attentive listening to teachings—key supports of Vishnu-bhakti in Puranic practice.
While not teaching a Vedanga directly, it reflects the traditional requirement of a suitable, calm place for study and recitation—supporting disciplines like Śikṣā (proper chanting) and Vyākaraṇa (accurate textual learning) within the Third Pada’s technical focus.