Hanūmaccarita
The Account of Hanumān
गायके मधुरं गीतं हनूमति कपीश्वरे । म्लानमल्मानमभवत्कृशाः पुष्टास्तदाभवन् ॥ ११९ ॥
gāyake madhuraṃ gītaṃ hanūmati kapīśvare | mlānamalmānamabhavatkṛśāḥ puṣṭāstadābhavan || 119 ||
Apabila penyanyi itu menyanyikan lagu yang manis di hadapan Hanumān, raja para kera, yang muram menjadi ceria, dan yang kurus kering pun ketika itu menjadi subur dan kuat.
Narada (narrating within the instructional discourse to the Sanatkumara brothers)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: karuna
It highlights the transformative power of devotional sound (gīta/kīrtana): sacred, sweetly rendered singing uplifts the mind and restores vitality, indicating bhakti’s immediate, lived fruit (phala).
Bhakti is shown as accessible and effective through heartfelt singing in the presence of a revered devotee like Hanumān; sincere kīrtana turns inner weakness into strength and despair into joy.
The verse implicitly supports Śikṣā (discipline of sound/phonetics): “madhuraṃ gītam” points to correct, pleasing vocal delivery as a practical aid to devotion and mental steadiness.