Narada Purana — Purva Bhaga, Shloka 92
Hanumān-mantra-kathana: Mantra-bheda, Nyāsa, Yantra, and Prayoga
परिवारान्ममेत्यंते सेवकान् कुरु युग्मकम् । सर्वशस्त्रवीत्यंते षाणि विध्वंसय द्वयम् ॥ ९२ ॥
parivārānmametyaṃte sevakān kuru yugmakam | sarvaśastravītyaṃte ṣāṇi vidhvaṃsaya dvayam || 92 ||
Pada penghujungnya, asingkan daripada rombonganku dan jadikan sepasang pelayan; dan pada akhir putaran segala senjata, musnahkan kedua-duanya—maka genaplah enam perkara itu.
Narada (instructional narration within the Vedanga/technical section; dialogue tradition with Sanatkumara contextually)
Vrata: none
Primary Rasa: vira
Secondary Rasa: shanta
FAQs
It reflects the Purana’s technical style of encoding disciplined procedure—emphasizing orderly sequencing (ante) and controlled reduction (destroying the pair), which symbolically points to mastery over auxiliaries and distractions through method.
Indirectly: it models the principle that devotion is strengthened by regulated practice—organizing one’s supports (attendants/pairs) and removing obstructive dualities, so the mind can remain steady in worship.
A procedural, sutra-like instruction using enumeration (pair, two, six) and sequencing—typical of Vedanga/technical literature where ritual or applied rules are compressed into mnemonic shloka form.