The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
यस्य सन्धारणादेव भवेयुः सर्वसम्पदः । श्वेतभूर्ज्जे लिखेत्पद्मं द्वात्रिंशत्सिंहसंयुतम् ॥ ८७ ॥
yasya sandhāraṇādeva bhaveyuḥ sarvasampadaḥ | śvetabhūrjje likhetpadmaṃ dvātriṃśatsiṃhasaṃyutam || 87 ||
Dengan sekadar memakainya atau menyimpannya, segala kemakmuran akan muncul. Hendaklah dilukis sebuah teratai pada kulit kayu birch putih, dihiasi dengan tiga puluh dua singa.
Sanatkumara (in instruction to Narada within the Vedāṅga/ritual-technical discourse)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It presents a dhāraṇā-based practice: a consecrated diagram (lotus with thirty-two lions) is to be written on white birch-bark and retained, symbolizing ordered sacred power that supports auspiciousness and prosperity (sarva-sampadā).
While primarily technical/ritual, it implies that prosperity is linked to faithful observance (śraddhā) of prescribed sacred methods; in the Narada Purana’s broader frame, such aids are ideally subordinate to devotion and right conduct rather than mere material gain.
It highlights ritual-technical procedure (lekhanā on bhūrja-patra and dhāraṇā), reflecting applied śāstra-prayoga typical of Vedāṅga-adjacent disciplines (kalpa/ritual methodology and protective rites).