The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
गले पार्श्वद्वये पृष्ठे ककुद्यर्णान्मनूद्भवान् । प्रणवान्तरितान् कृत्वा न्यसेत्साधकसत्तमः ॥ १९ ॥
gale pārśvadvaye pṛṣṭhe kakudyarṇānmanūdbhavān | praṇavāntaritān kṛtvā nyasetsādhakasattamaḥ || 19 ||
Sādhaka yang terbaik hendaklah melakukan nyāsa dengan menempatkan suku kata yang lahir daripada Manu pada tekak, pada kedua-dua sisi tubuh, dan pada belakang; setiap suku kata didahului serta dipisahkan oleh praṇava “Oṁ”.
Sanatkumāra (in instruction to Nārada on mantra-nyāsa procedure)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches a precise nyāsa method: sanctifying specific body-points by installing mantra-syllables, each joined with Oṁ, so the practitioner’s body becomes a fit vessel for japa and worship.
By prescribing mantra-nyāsa, it supports bhakti as disciplined worship: devotion is strengthened through correct mantra-vidhi, where Oṁ-centered placement prepares the sādhaka for focused remembrance of the Divine.
Mantra-vidhi and śikṣā-oriented precision: correct use of praṇava with mantra-syllables and their ritual placement (nyāsa), reflecting technical liturgical practice emphasized in Book 1.3.