Narada Purana — Purva Bhaga, Shloka 43
Mahāviṣṇu-Mantras: Aṣṭākṣarī, Sudarśana-Astra, Nyāsa Systems, Āvaraṇa-Pūjā, and Prayogas
मूर्तिं संकल्प्य मूलेन तस्यामावाह्य पूजयेत् । आदौ चांगानि संपूज्य मंत्राणां केशरेषु च ॥ ४३ ॥
mūrtiṃ saṃkalpya mūlena tasyāmāvāhya pūjayet | ādau cāṃgāni saṃpūjya maṃtrāṇāṃ keśareṣu ca || 43 ||
Dengan mūla‑mantra, bayangkan (saṅkalpa) rupa Dewa dalam batin; kemudian lakukan āvāhana, mengundang-Nya bersemayam pada rupa itu, lalu memuja. Mula-mula pujalah aṅga‑aṅga (anggota bantu) dengan sempurna, dan pujalah juga mantra-mantra pada ‘kelopak’ (kedudukan yang ditetapkan pada padma upacara).
Sanatkumara (teaching Narada in an instructional dialogue)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
FAQs
It teaches that worship becomes effective when the deity is intentionally visualized, invoked through the root-mantra, and then honored systematically—beginning with the aṅga (auxiliary) aspects—so the sādhaka’s mind, mantra, and ritual space align.
Bhakti here is expressed as disciplined reverence: the devotee forms the Lord’s presence through mantra and then offers worship in an ordered way, treating the mantra-limbs and their placements as sacred parts of serving the deity.
It highlights technical ritual procedure—mantra-prayoga such as āvāhana, aṅga-pūjā/nyāsa, and placing mantras in specific loci (keśara/petal points), reflecting the applied discipline of Vedic ritual science.