Mahāviṣṇu-Mantras: Aṣṭākṣarī, Sudarśana-Astra, Nyāsa Systems, Āvaraṇa-Pūjā, and Prayogas
लक्ष्मी सरस्वती चैव धृतिः प्रीतिस्ततः परम् । कांतिः शांतिस्तुष्टिपुष्टिबीजाद्या ङेनमोंतिकाः ॥ १८३ ॥
lakṣmī sarasvatī caiva dhṛtiḥ prītistataḥ param | kāṃtiḥ śāṃtistuṣṭipuṣṭibījādyā ṅenamoṃtikāḥ || 183 ||
Ialah Lakṣmī dan Sarasvatī, juga Dhṛti (keteguhan) dan Prīti (kasih sayang); seterusnya Kānti (cahaya seri) dan Śānti (kedamaian), bersama Tuṣṭi (kepuasan), Puṣṭi (pemeliharaan), serta suku kata bīja dan unsur mantrik yang berkaitan—semuanya ialah nama-bentuk yang terhubung dengan kelompok huruf sengau bermula dengan “ṅ”.
Narada (teaching in a Vedanga/phonetics-mantra listing context, traditionally within Narada–Sanatkumara dialogue framing)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It links auspicious deities and virtues (Lakṣmī, Sarasvatī, dhṛti, prīti, śānti, etc.) with precise mantric/phonetic enumeration, emphasizing that spiritual efficacy in Purāṇic-Vedic practice depends on both devotion and correct sacred sound.
By naming Lakṣmī and Sarasvatī alongside inner virtues, it implies that bhakti is supported by cultivated qualities (steadfastness, peace, contentment) and expressed through reverent utterance (namo-formulas) performed with proper pronunciation.
It reflects Vedāṅga Śikṣā (phonetics) and mantra-usage: attention to specific varga sounds like “ṅ” and to bīja/seed-syllables and salutation-formulas, indicating technical rules for recitation and ritual speech.