Śeṣoditya-Sūrya-nyāsa, Soma-sādhana, Graha-pūjā, and Bhauma-vrata-vidhi
कुंडलां गदकेयूरहारिणं च त्रयीतनुम् । ध्यात्वैवं प्रजपेन्मंत्री वसुलक्षं दशांशतः ॥ २१ ॥
kuṃḍalāṃ gadakeyūrahāriṇaṃ ca trayītanum | dhyātvaivaṃ prajapenmaṃtrī vasulakṣaṃ daśāṃśataḥ || 21 ||
Dengan bermeditasi demikian pada Tuhan—berhias anting-anting, memegang gada, memakai gelang lengan dan kalung, dan tubuh-Nya sendiri merupakan perwujudan Tiga Veda—pengamal mantra hendaklah melakukan japa sebanyak lapan ratus ribu ulangan, lalu mempersembahkan sepersepuluh daripadanya sebagai oblation (daśāṁśa) menurut aturan.
Sage Sanatkumara (in instruction to Narada, within a ritual-technical discourse)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: vira
It links dhyāna (visualizing the Veda-embodied Lord with divine ornaments) to disciplined japa, showing that inner contemplation and precise repetition together complete a valid sādhana.
Bhakti here is practiced as loving remembrance: the devotee meditates on Vishnu’s auspicious form and then sustains that devotion through large-scale japa, making worship continuous and focused.
It highlights ritual quantification and completion rules—specific japa-saṅkhyā (vasulakṣa) and the daśāṁśa principle (one-tenth portion) commonly applied for concluding offerings in mantra-sādhanā.