Śeṣoditya-Sūrya-nyāsa, Soma-sādhana, Graha-pūjā, and Bhauma-vrata-vidhi
एवं न्यासविधिं कृत्वा ध्यायेत्सूर्यं हृदबुजे । दानाभयाब्जयुगलं धारयंतं करै रविम् ॥ २० ॥
evaṃ nyāsavidhiṃ kṛtvā dhyāyetsūryaṃ hṛdabuje | dānābhayābjayugalaṃ dhārayaṃtaṃ karai ravim || 20 ||
Demikian, setelah melaksanakan nyāsa menurut ketetapan, hendaklah ia bermeditasi pada Sūrya di teratai hati—pada Ravi yang dengan kedua tangan memegang sepasang lambang teratai yang menganugerahkan dana (kurnia) dan abhaya (tanpa takut).
Narada (teaching in a technical/ritual context within Vedanga-oriented material)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It links outer ritual precision (nyāsa—installing mantras in the body) with inner realization (dhyāna in the heart-lotus), presenting Sūrya as a protective and beneficent deity who grants fearlessness and auspicious gifts.
Bhakti here is expressed as focused, affectionate contemplation: after sanctifying oneself through nyāsa, the devotee visualizes Sūrya within the heart, approaching the deity as a living presence who bestows protection and grace.
It highlights ritual discipline and mantra-application—nyāsa and dhyāna as structured techniques used in Vedic/Āgamic practice to internalize a deity and stabilize concentration for worship.