Gaṇeśa Mantra-vidhi: Mahāgaṇapati Gāyatrī, Vakratuṇḍa Mantra, Nyāsa, Homa, Āvaraṇa-pūjā, and Caturthī Vrata
षड्दीर्घाढ्येन बीजेन यं च बीजादिना पुनः । षङंगानि न्यसेदस्य जातियुक्तानि मंत्रवित् ॥ ७ ॥
ṣaḍdīrghāḍhyena bījena yaṃ ca bījādinā punaḥ | ṣaṅaṃgāni nyasedasya jātiyuktāni maṃtravit || 7 ||
Seorang yang arif tentang mantra hendaklah melakukan nyāsa pada enam anggota dengan suku benih (bīja) yang dihiasi enam vokal panjang, dan sekali lagi dengan bīja yang bermula dengan “yaṃ”; demikianlah enam aṅga ditegakkan, masing‑masing berserta “jāti” (kelas/intonasi) yang tepat.
Narada (teaching technical ritual procedure within Vedanga-oriented material)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It emphasizes that mantra-power is activated through disciplined ritual placement (nyāsa) and correct phonetic form, aligning the practitioner’s body and speech with the mantra’s sacred structure.
It supports devotion by prescribing precise ritual methods that help a devotee internalize the deity/mantra through bodily installation, making worship focused, reverent, and steady.
It highlights Śikṣā (phonetics/recitation) and mantra-vidhi: correct vowel-length (dīrgha), seed-syllables (bīja), and structured ṣaḍaṅga-nyāsa as practical ritual-grammar.