Gaṇeśa Mantra-vidhi: Mahāgaṇapati Gāyatrī, Vakratuṇḍa Mantra, Nyāsa, Homa, Āvaraṇa-pūjā, and Caturthī Vrata
गौरी पाशांकुशधरा टंकशूलधरो हरः । रतिः पद्मकरा पुष्पबाणचापधरः स्मरः ॥ २७ ॥
gaurī pāśāṃkuśadharā ṭaṃkaśūladharo haraḥ | ratiḥ padmakarā puṣpabāṇacāpadharaḥ smaraḥ || 27 ||
Gaurī memegang jerat dan penggoad; Hara memegang kapak perang dan trisula. Rati menjunjung teratai; Smara (Kāma) membawa anak panah bunga serta busur.
Narada (in a didactic listing of deities and their iconographic attributes, as part of Vedanga-style technical description)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhakti
It encodes dhyāna-ready iconography: by naming each deity’s defining emblems, the verse supports correct visualization and ritual remembrance, a common technical method in Purāṇic and Vedāṅga-informed practice.
Bhakti is strengthened through clear form-based remembrance (saguṇa-smaraṇa): the devotee contemplates Gaurī, Śiva, Rati, and Kāma with their emblems, stabilizing attention and reverence during worship and recitation.
It reflects a technical, cataloging approach akin to Vedāṅga-adjacent ritual detail: standardized identifiers (weapons/symbols) ensure precision in mantra-linked visualization and pūjā procedure.