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Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 4

Teaching of the One-Principle

Ekatattva) Initiation (एकतत्त्वदीक्षाकथनम्

प्रददीत ततः पूर्णां तत्त्ववातोपगर्भितां एकयैव यया शिष्यो निर्वाणमधिगच्छति

pradadīta tataḥ pūrṇāṃ tattvavātopagarbhitāṃ ekayaiva yayā śiṣyo nirvāṇamadhigacchati

Sesudah itu, hendaklah ia menyampaikan ajaran yang sempurna—yang sarat dengan “nafas/angin” prinsip-prinsip tattva—melalui satu kaedah sahaja, yang dengannya murid mencapai nirvāṇa.

pradadītashould give
pradadīta:
Kriyā (क्रिया)
TypeVerb
Rootpra-√dā (धातु)
FormOptative (विधिलिङ्), Parasmaipada; 3rd Person (प्रथमपुरुष), Singular (एकवचन)
tataḥthen
tataḥ:
Kāla-adhikaraṇa (कालाधिकरण)
TypeIndeclinable
Roottataḥ (अव्यय)
FormAvyaya (अव्यय), adverb; ‘then/thereafter’
pūrṇāmcomplete/full
pūrṇām:
Karma (कर्म)
TypeAdjective
Rootpūrṇā (प्रातिपदिक)
FormFeminine, Accusative (2nd/द्वितीया), Singular; qualifying an implied feminine noun (e.g., kalā/vidyā/dīkṣā)
tattva-vāta-upagarbhitāmimbued with tattva-vāta
tattva-vāta-upagarbhitām:
Viśeṣaṇa (विशेषण)
TypeAdjective
Roottattva (प्रातिपदिक) + vāta (प्रातिपदिक) + upa-garbhita (कृदन्त, √garh/√gṛbh sense ‘to contain’)
FormFeminine, Accusative (2nd/द्वितीया), Singular; compound adjective ‘containing/imbued with the breeze (vāta) of tattva’
ekayāby one (alone)
ekayā:
Karaṇa (करण)
TypeAdjective
Rootekā (प्रातिपदिक)
FormFeminine, Instrumental (3rd/तृतीया), Singular; used with eva as emphasis
evaonly
eva:
Nipāta (निपात/बलवाचक)
TypeIndeclinable
Rooteva (अव्यय)
FormAvyaya (अव्यय), emphatic particle; ‘indeed/only’
yayāby which
yayā:
Karaṇa (करण)
TypeNoun
Rootyad (प्रातिपदिक)
FormFeminine, Instrumental (3rd/तृतीया), Singular; relative pronoun ‘by which’
śiṣyaḥthe disciple
śiṣyaḥ:
Karta (कर्ता)
TypeNoun
Rootśiṣya (प्रातिपदिक)
FormMasculine, Nominative (1st/प्रथमा), Singular
nirvāṇamliberation (nirvāṇa)
nirvāṇam:
Karma (कर्म)
TypeNoun
Rootnirvāṇa (प्रातिपदिक)
FormNeuter, Accusative (2nd/द्वितीया), Singular
adhigacchatiattains
adhigacchati:
Kriyā (क्रिया)
TypeVerb
Rootadhi-√gam (धातु)
FormPresent (लट्), Parasmaipada; 3rd Person (प्रथमपुरुष), Singular (एकवचन)

Lord Agni (in dialogue, traditionally instructing sage Vasiṣṭha)

Vidya Category: {"primary_vidya":"Philosophy","secondary_vidya":"Tantra","practical_application":"Transmission of a complete tattva-upadeśa in a single, decisive method (eka-upāya) aimed at the disciple’s liberation (nirvāṇa), emphasizing concentrated instruction rather than scattered teachings.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Commentary","entry_title":"Eka-upāya tattva-upadeśa leading to nirvāṇa","lookup_keywords":["tattva-upadeśa","eka-upāya","nirvāṇa","śiṣya","mokṣa-vidyā"],"quick_summary":"After preparatory rites, the teacher imparts a complete, principle-filled instruction through one focused method by which the disciple reaches nirvāṇa."}

Alamkara Type: Rupaka

Concept: Mokṣa arises from complete tattva-jñāna communicated through an integrated upāya; ‘tattva-vāta’ suggests the living ‘breath’/impulse of truth animating the teaching.

Application: In guru-śiṣya pedagogy, prioritize one coherent sādhanā/jñāna-track (rather than many partial methods) and deliver it as a complete map of principles culminating in release.

Khanda Section: Moksha-vidya (Tattva-upadesha / Liberation-oriented instruction)

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A guru seated in a quiet āśrama imparts a complete tattva-teaching to a single disciple; the teaching is depicted as a subtle ‘breath of principles’ flowing like a luminous current from teacher to student, culminating in a serene nirvāṇa aura.","kerala_mural_prompt":"Kerala mural, guru and disciple in stylized forest hermitage, flowing white-gold prāṇa-like stream labeled as tattva, calm faces, minimal background, lamp and palm-leaf manuscripts","tanjore_prompt":"Tanjore style, guru on a throne-like seat with halo, disciple kneeling, gold leaf highlighting the ‘single method’ as one radiant path, ornate border, sacred geometry behind them","mysore_prompt":"Mysore painting, didactic layout with a central guru teaching and surrounding small panels of tattvas arranged in order, fine lines, soft colors, manuscript and rosary details","mughal_miniature_prompt":"Mughal miniature, intimate teaching circle in a garden pavilion, delicate flora, the ‘one method’ shown as a single golden line connecting teacher and disciple, refined textiles and faces"}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Yaman","pace":"slow","voice_tone":"contemplative"}

Sandhi Resolution Notes: ekayaiva = ekayā + eva; nirvāṇamadhigacchati = nirvāṇam + adhigacchati.

Related Themes: Agni Purana 89 (ekatattva-dīkṣā: single-principle orientation)

N
Nirvāṇa
Ś
Śiṣya
T
Tattva

FAQs

It emphasizes transmitting a complete tattva-based upadeśa—an integrated, principle-grounded instruction—presented as a single decisive method that leads the disciple to nirvāṇa.

Alongside rituals, governance, and other sciences, the Agni Purana also systematizes liberation-teachings: it frames moksha as teachable knowledge (vidyā) delivered through structured guru–śiṣya transmission.

It presents right instruction (tattva-upadeśa) as directly liberative: when the disciple receives the complete, principle-infused teaching, the result is nirvāṇa—release from bondage and its karmic continuity.