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Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 21

अध्याय 82 — संस्कारदीक्षाकथनम्

Saṃskāra-Dīkṣā: Consecratory Initiation

भूताङ्गानि जटाभस्मदण्डकौपीनसंयमान् ईशानाद्यैर् हृदाद्यैर् वा परिजप्य यथाक्रमात्

bhūtāṅgāni jaṭābhasmadaṇḍakaupīnasaṃyamān īśānādyair hṛdādyair vā parijapya yathākramāt

Hendaklah ia melakukan japa secara berurutan, dengan menguduskan (melalui mantra) bhūta-aṅga serta disiplin rambut jata, abu suci, tongkat, kain cawat, dan pengendalian diri—sama ada dengan mantra-mantra bermula Īśāna dan seterusnya, atau dengan mantra-mantra bermula Hṛdaya dan seterusnya, menurut tertibnya.

भूत-अङ्गानिthe bhūta-limbs/elemental parts (mantra-nyāsa limbs)
भूत-अङ्गानि:
कर्म (Karma/Object)
TypeNoun
Rootभूत (प्रातिपदिक) + अङ्ग (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया (1st/2nd), बहुवचन; ‘भूतानाम् अङ्गानि’ (elements/limbs called bhūta-aṅga)
जटा-भस्म-दण्ड-कौपीन-संयमान्matted hair, ash, staff, loincloth, and restraints (vows)
जटा-भस्म-दण्ड-कौपीन-संयमान्:
कर्म (Karma/Object)
TypeNoun
Rootजटा (प्रातिपदिक) + भस्म (प्रातिपदिक) + दण्ड (प्रातिपदिक) + कौपीन (प्रातिपदिक) + संयम (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd), बहुवचन; समाहार-द्वन्द्व/इतरेतर-द्वन्द्व (list of observances/insignia)
ईशान-आद्यैःwith (mantras) beginning with Īśāna
ईशान-आद्यैः:
करण (Karaṇa/Instrument)
TypeNoun
Rootईशान (प्रातिपदिक) + आदि (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd/तृतीया), बहुवचन; ‘ईशानादिभिः’
हृत्-आद्यैःor with (mantras) beginning with Hṛd
हृत्-आद्यैः:
करण (Instrument)
TypeNoun
Rootहृत्/हृद् (प्रातिपदिक) + आदि (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd), बहुवचन; ‘हृदादिभिः’
वाor
वा:
समुच्चय/विकल्प (Particle)
TypeIndeclinable
Rootवा (अव्यय)
Formअव्यय; विकल्पार्थक-निपात (disjunctive particle ‘or’)
परि-जप्यhaving recited
परि-जप्य:
पूर्वकाल-क्रिया (Absolutive; prior action)
TypeVerb
Rootपरि + √जप् (धातु)
Formक्त्वान्त (Absolutive/Gerund), अव्ययभाव; ‘having muttered/recited’
यथा-क्रमात्in proper sequence
यथा-क्रमात्:
क्रियाविशेषण (Adverbial modifier)
TypeIndeclinable
Rootयथा (अव्यय) + क्रम (प्रातिपदिक)
Formअव्ययीभाव; पञ्चमी-एकवचन-रूपेण अव्ययवत् प्रयोग (adverbial: ‘in due order’)

Lord Agni (teaching the ritual procedure to the sage Vasiṣṭha in the Agni Purana’s instructional voice)

Vidya Category: {"primary_vidya":"Tantra","secondary_vidya":"Mantra","practical_application":"Mantra-nyāsa and internal consecration for Śaiva observance: empower ‘bhūta-aṅgas’ and ascetic disciplines (jaṭā, bhasma, daṇḍa, kaupīna, saṃyama) using Īśāna-ādi or Hṛdaya-ādi mantra sets in proper sequence.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Śaiva-mantra-nyāsa: Bhūta-aṅga consecration and ascetic insignia","lookup_keywords":["īśāna-mantra","hṛdaya-mantra","nyāsa","bhasma","jaṭā-daṇḍa-kaupīna"],"quick_summary":"Perform japa sequentially to consecrate the elemental/limb components and the ascetic restraints/insignia. Use either the Īśāna and related mantras or the Hṛdaya and related mantras as the authorized set."}

Concept: Mantra-śakti is stabilized through krama (sequence) and saṃyama (restraint); external insignia are to be ritually internalized via nyāsa/japa.

Application: Daily Śaiva sādhana checklist: (1) assume restraints, (2) apply bhasma/insignia, (3) perform krama-japa with chosen authorized mantra-set, (4) mentally place/empower limbs and elements before pūjā.

Khanda Section: Puja-vidhi / Shaiva-Mantra-Nyasa (Ishana-kalpa orientation)

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A Śaiva practitioner seated in meditation, ash-smeared, with jaṭā, staff and loincloth nearby; subtle visualization of mantras touching limbs/elements in sequence, with a northeast (Īśāna) directional cue.","kerala_mural_prompt":"Kerala mural style, ascetic Śaiva sādhaka with bhasma stripes, jaṭā; stylized mantra syllables as decorative bands moving from heart to limbs; subdued temple grove background, northeast corner marked by a small shrine lamp.","tanjore_prompt":"Tanjore style with gold accents on bhasma vessel and staff; central seated yogin, haloed; mantra syllables rendered as ornate gold script around the body indicating nyāsa placements; rich maroon backdrop.","mysore_prompt":"Mysore painting, fine lines showing stepwise nyāsa: hand touching head/heart/shoulders; labeled sequence panels; calm interior with pūjā tray (bhasma, water pot, rudrākṣa).","mughal_miniature_prompt":"Mughal miniature, intimate study-like setting; ascetic performing japa with rosary; attendants absent; delicate calligraphic mantra ribbons indicating Īśāna/Hṛdaya sets; architectural niche framing."}

Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Bhairav","pace":"slow","voice_tone":"instructional"}

Sandhi Resolution Notes: भूताङ्गानि → भूत-अङ्गानि. जटाभस्मदण्डकौपीनसंयमान् → जटा + भस्म + दण्ड + कौपीन + संयमान् (द्वन्द्व-समास). ईशानाद्यैर् → ईशान-आद्यैः. हृदाद्यैर् → हृद्-आद्यैः. यथाक्रमात् → यथा-क्रमात् (अव्ययीभाव).

Related Themes: Agni Purana pūjā-vidhi and nyāsa passages (general); Agni Purana Śaiva-dīkṣā and mantra-prakaraṇa sections

Ī
Īśāna
H
Hṛdaya (aṅga-mantras)
B
Bhasma (sacred ash)
J
Jaṭā (ascetic hair)
D
Daṇḍa (staff)
K
Kaupīna (loincloth)
S
Saṃyama (self-restraint)

FAQs

It prescribes a Shaiva japa/nyāsa practice: consecrating specific observances and ritual ‘limbs’ (bhūta-aṅgas) using either the Īśāna-mantra set or the Hṛdaya (aṅga) mantra set, recited in a fixed order.

It shows the Agni Purana functioning as a compact ritual handbook: alongside myths and dharma, it preserves technical liturgical details—mantra sets, sequencing (krama), and the ritual sanctification of ascetic insignia—typical of its wide-ranging, encyclopedic scope.

By empowering ascetic restraints and Shaiva insignia through properly ordered mantra-japa, the practitioner ritually purifies and stabilizes the body-mind as a fit vessel for worship, supporting merit (puṇya), self-control (saṃyama), and effective devotion.