विपंचीं वादयन्स्वैरं दृष्टः स मुनिसत्तमः । अजानंत्या च तानानां विशेषं मूर्च्छनोद्भवम् । मया स हसितोऽतीव तानभंगतया गतः
vipaṃcīṃ vādayansvairaṃ dṛṣṭaḥ sa munisattamaḥ | ajānaṃtyā ca tānānāṃ viśeṣaṃ mūrcchanodbhavam | mayā sa hasito'tīva tānabhaṃgatayā gataḥ
तो मुनिश्रेष्ठ स्वैरपणे विपंची वाजवीत होता, असे दिसले. मूर्च्छनेतून उत्पन्न होणाऱ्या स्वर-तानांचे सूक्ष्म भेद न कळल्याने, त्याच्या ताना ‘तुटल्या’ असे समजून मी फारच हसले.
Audumbarī (continuing her account)
Type: kshetra
Scene: Nārada appears playing the vipaṃcī freely; Audumbarī, ignorant of tāna and mūrcchanā nuances, laughs at what she thinks are broken notes—capturing the moment of inadvertent offense.
Mockery born of ignorance becomes an offense (aparādha); humility toward sacred persons and arts is dharma.
No site is named here; it explains the karmic trigger that later connects to a tīrtha-based resolution.
None—this verse narrates the cause of the curse.
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