वधार्थं मृगयूथानामागतो विन्ध्यपर्वतम् । तरुजातिसमाकीर्णे हस्तियूथसमाचिते
vadhārthaṃ mṛgayūthānāmāgato vindhyaparvatam | tarujātisamākīrṇe hastiyūthasamācite
मृगांच्या कळपांचा वध करण्यासाठी तो विन्ध्य पर्वतावर आला—नाना वृक्षजातींनी दाटलेला व हत्तींच्या कळपांनी भरलेला।
Sūta (Lomaharṣaṇa) (deduced for Skanda Purāṇa narrative frame)
Scene: A king with retinue enters the Vindhya slopes: layered forest canopy, deer herds scattering, a visible line of elephants moving through sal trees; the mountain rises dark-green behind.
The pursuit of violence and sport-hunting becomes the narrative cause that drives the king into powerful sacred landscapes where dharma will be re-taught.
Vindhya mountain is named as the setting; in the Revā Khaṇḍa this geography functions as the threshold to Narmadā-associated sanctity.
None; it describes the king’s motive and the forested Vindhya setting.