Jyotiṣa-śāstra Saṅgraha: Threefold Division, Gaṇita Methods, Muhūrta, and Planetary Reckoning
हारांशयोः कृती वर्गे घनौ घनविधौ मुने । पदसिद्ध्यै पदे कुर्यादथोरवं सर्वतश्च रवम् ॥ २७ ॥
hārāṃśayoḥ kṛtī varge ghanau ghanavidhau mune | padasiddhyai pade kuryādathoravaṃ sarvataśca ravam || 27 ||
हे मुने, हार व अंश यांच्या पाठ-प्रक्रियेत आणि कृति-वर्गात घन-विधीनुसार घन-पाठ करावा. पदसिद्धीसाठी प्रत्येक पदात योग्य उच्चार करावा आणि मग सर्व दिशांना निनादणारा नाद उत्पन्न करावा।
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It emphasizes that liberation-oriented practice (moksha-dharma) is supported by disciplined sound: correct word-by-word recitation and controlled resonance purify the mind and stabilize mantra power.
Bhakti is strengthened when sacred names and mantras are pronounced with precision and steadiness; the verse presents disciplined recitation as a practical support for devoted remembrance and worship.
It points to Śikṣā (Vedic phonetics) and specialized recitation procedures (ghana-vidhi), teaching that pada-siddhi—accuracy of each word and its sound-quality—is essential in mantra practice.