Nirukta, Phonetic Variants, and Vedic Dhātu–Svara Taxonomy
स्वरितेद्राजृसंप्रोक्त स्तनहेभ्राजृतस्रयः । अनुदात्तेत अख्याता भाद्युतात्ता इतः स्यमात् ॥ २८ ॥
svaritedrājṛsaṃprokta stanahebhrājṛtasrayaḥ | anudātteta akhyātā bhādyutāttā itaḥ syamāt || 28 ||
स्वरितात ध्वनी ‘द्राजृ-संप्रोक्त’ अशी सांगितली असून तिचा आधार ‘स्तनहे-भ्राजृतस्रयः’ इत्यादी क्रमावर आहे. अनुदात्तात ‘एत’ (नीचतेचे लक्षण) स्पष्ट केले; म्हणून उरलेला भिन्न स्वर ‘उदात्त’ समजावा॥२८॥
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: none
It stresses that correct Vedic accent (svara) is part of dharma: precise chanting preserves mantra-power and prevents distortion of meaning and ritual efficacy.
Bhakti is supported by disciplined practice: when hymns and names are recited correctly, devotion becomes steadier and worship becomes more faithful to śāstra.
Śikṣā (phonetics) is highlighted—specifically the practical differentiation of the three Vedic accents: svarita, anudātta, and udātta for accurate recitation.