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Varaha Purana 90.12 — Adhyaya 90, Shloka 12

Description of the Threefold Goddess-Power and Brahmā’s Hymn to Sṛṣṭi

एतास्त्रयोऽपि सिद्ध्यन्ते यो रुद्रं वेत्ति तत्त्वतः । सर्वगेयं वरारोहे एकैव त्रिविधा स्मृता ॥

etās trayo 'pi siddhyante yo rudraṁ vetti tattvataḥ | sarva-geyaṁ varārohe ekaiva trividhā smṛtā ||

രുദ്രനെ തത്ത്വമായി അറിയുന്നവന് ഈ മൂന്നും സിദ്ധമാകുന്നു. ഹേ വരാരോഹേ, ഇത് സർവത്ര ഗേയമാണ്—അവൾ ഒരുത്തിയേ, എന്നാൽ ത്രിവിധമായി സ്മരിക്കപ്പെടുന്നു.

एताःthese (f.)
एताः:
कर्ता (Karta/Subject of सिद्ध्यन्ते)
TypeNoun
Rootएतद् (सर्वनाम-प्रातिपदिक)
Formसर्वनाम (demonstrative pronoun), स्त्रीलिङ्ग (f.), प्रथमा (Nom.1), बहुवचन (pl.)
त्रयःthree
त्रयः:
विशेषण (Qualifier of implied masculine group; with एताः indicates ‘three (forms)’)
TypeAdjective
Rootत्रि (संख्या-प्रातिपदिक)
Formसंख्यावाचक (numeral), पुल्लिङ्ग (m.), प्रथमा (Nom.1), बहुवचन (pl.)
अपिalso / even
अपि:
सम्बन्ध (Particle)
TypeIndeclinable
Rootअपि (अव्यय)
Formअव्यय, अप्यर्थ (particle: ‘also/even’)
सिद्ध्यन्तेare accomplished / succeed
सिद्ध्यन्ते:
क्रिया (Kriyā/Predicate)
TypeVerb
Rootसिध् (धातु)
Formलट्-लकार (Present), प्रथमपुरुष (3rd), बहुवचन (pl.), आत्मनेपद (Ātmanepada)
यःwho
यः:
कर्ता (Karta/Subject of वेत्ति)
TypeNoun
Rootयद् (सर्वनाम-प्रातिपदिक)
Formसर्वनाम (relative pronoun), पुल्लिङ्ग (m.), प्रथमा (Nom.1), एकवचन (sg.)
रुद्रम्Rudra
रुद्रम्:
कर्म (Karma/Object of वेत्ति)
TypeNoun
Rootरुद्र (प्रातिपदिक)
Formपुल्लिङ्ग (m.), द्वितीया-विभक्ति (Acc.2), एकवचन (sg.)
वेत्तिknows
वेत्ति:
क्रिया (Kriyā/Predicate)
TypeVerb
Rootविद् (धातु)
Formलट्-लकार (Present), प्रथमपुरुष (3rd), एकवचन (sg.), परस्मैपद (Parasmaipada)
तत्त्वतःin truth / truly
तत्त्वतः:
क्रियाविशेषण (Adverbial modifier)
TypeIndeclinable
Rootतत्त्वतः (अव्यय)
Formअव्यय, तसिल्-प्रत्ययान्त (ablatival adverb), प्रकारवाचक (manner adverb)
सर्वगेयम्to be sung by all / universally singable
सर्वगेयम्:
विधेय-विशेषण (Predicate adjective; describing the teaching/subject implied)
TypeAdjective
Rootसर्व + गेयं (प्रातिपदिक/कृदन्त)
Formतत्पुरुष-समास (‘सर्वेषां गेयं’), ‘गेय’ = गा (धातु) से भाव्यतार्थक/योग्यतार्थक कृदन्त (fit to be sung), नपुंसकलिङ्ग (n.), प्रथमा/द्वितीया (Nom./Acc.1/2), एकवचन (sg.)
वरारोहेO fair-hipped one
वरारोहे:
सम्बोधन (Sambodhana/Address)
TypeNoun
Rootवर + आरोह (प्रातिपदिक)
Formकर्मधारय-समास (epithet), स्त्रीलिङ्ग (f.), सम्बोधन (Voc.), एकवचन (sg.)
एकाone
एका:
विधेय-विशेषण (Predicate adjective)
TypeAdjective
Rootएक (प्रातिपदिक)
Formस्त्रीलिङ्ग (f.), प्रथमा (Nom.1), एकवचन (sg.)
एवindeed
एव:
सम्बन्ध (Emphasis marker)
TypeIndeclinable
Rootएव (अव्यय)
Formअव्यय, अवधारण (emphasis)
त्रिविधाthreefold
त्रिविधा:
विधेय-विशेषण (Predicate adjective)
TypeAdjective
Rootत्रि + विध (प्रातिपदिक)
Formतत्पुरुष-समास (‘त्रयाणां विधा’), स्त्रीलिङ्ग (f.), प्रथमा (Nom.1), एकवचन (sg.)
स्मृताis regarded / is remembered
स्मृता:
कर्मणि-भाव (Predicate/Passive description)
TypeVerb
Rootस्मृ (धातु) → स्मृत (कृदन्त)
Formभूतकर्मणि कृदन्त (past passive participle), स्त्रीलिङ्ग (f.), प्रथमा (Nom.1), एकवचन (sg.); ‘remembered/considered’

Varāha (default dialogue frame)

Varaha Avatara Context: {"is_varaha_focus":true,"earth_interaction":"Varāha teaches Bhū Devī a unitive doctrine; emphasizes public recitability (‘to be sung everywhere’)."}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor","bhu_devi_state":"seeking synthesis, reassured by unity","key_question":"What makes the three forms/names efficacious, and how can one reality be legitimately spoken of as three?"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"Efficacy (siddhi) is tied to tattva-jñāna: knowing Rudra ‘in truth’ unlocks the power of the triad—suggesting that deity-names/forms become potent when grounded in right metaphysical understanding. Varāha’s role parallels yajña where correct knowledge and correct chant make rites effective.","yajna_varaha_imagery":"‘Sarvageyam’ hints at geya-mantra/stotra circulation: the teaching is meant for communal singing/recitation, like ritual hymns that carry power when properly understood.","vedantic_connection":"Unity-in-plurality: one śakti remembered as threefold; aligns with frameworks where one brahman/īśvara is spoken of through functional differentiations without compromising oneness."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"Epistemic condition for mantra/devotional efficacy; unity-plurality doctrine","core_concept":"Right knowledge of Rudra-tattva makes the triadic forms efficacious; despite threefold remembrance, the reality is one.","practical_application":"Pair devotion (gāna/japa) with tattva-vicāra (study/understanding); interpret triads as pedagogical lenses rather than competing absolutes."}

Subject Matter: ["Philosophy (Unity and plurality)","Theology","Poetics (Geya tradition)"]

Primary Rasa: śānta

Secondary Rasa: adbhuta

Related Themes: Varāha Purāṇa 90.90.5 (Aparā/Raudrī/Parāparā); Varāha Purāṇa 90.90.7 (pervasion of the world)

Visual Art Cues: {"scene_description":"Varāha proclaims that the triad becomes effective through true knowledge of Rudra; the scene suggests a hymn being sung universally, with threefold radiance emerging from one source.","item_prompts":["Varāha speaking with authoritative gesture","three rays/auras emerging from a single light","musicians or chanting sages in the background","script banner reading ‘sarvageyam’"],"kerala_mural_prompt":"Kerala mural: one central jyoti with three emanations; Varāha as guru; chorus of devotees in stylized rows; rhythmic ornamental borders.","tanjore_prompt":"Tanjore: central gold jyoti with three embossed halos; Varāha and Bhū Devī flanking; decorative musical instruments in relief.","mysore_prompt":"Mysore: classical courtly singers behind; subtle triadic aura; calm devotional atmosphere.","pahari_prompt":"Pahari: hillside gathering singing; one lamp-flame splitting into three stylized flames; delicate linework and captions."}

Audio Atmosphere: {"recitation_mood":"solemn, hymn-like","suggested_raga":"Shankarabharanam","pace":"medium","voice_tone":"firm, chant-ready"}

C
Classical Literature
P
Purāṇic Studies
S
Sanskrit Philosophy

FAQs

It records a doctrinal idiom—unity expressed through triadic forms—common in Purāṇic and broader Sanskrit intellectual traditions, and hints at performative/recitational circulation (geya).

No geographic location is specified; sarva-geyaṁ indicates broad circulation rather than a place.

It encourages pursuit of tattva (principled understanding) and cautions against reducing complex traditions to a single exclusive label.

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