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Varaha Purana 187.68: Adhyaya 187, Shloka 68

Determination of the Origin and Procedure of the Ancestral Offering

Pitṛyajña/Śrāddha

शोकस्य तु प्रभावेण एतत्कर्म मया कृतम् ॥ अनार्यजुष्टमस्वर्ग्यमकीर्तिकरणं द्विज

Sanskrit recitationVaraha Purana 187.68

śokasya tu prabhāveṇa etat karma mayā kṛtam || anāryajuṣṭam asvargyam akīrtikaraṇaṁ dvija

ഹേ ദ്വിജാ! ശോകത്തിന്റെ പ്രഭാവം കൊണ്ടാണ് ഞാൻ ഈ കർമ്മം ചെയ്തത്; ഇത് ആര്യന്മാർ ആചരിക്കുന്നതല്ല, സ്വർഗ്ഗപ്രദമല്ല, അപകീർത്തി വരുത്തുന്നതുമാണെന്ന് ഞാൻ ഭയപ്പെടുന്നു।

śokasyaof grief
śokasya:
Sambandha (सम्बन्ध)
TypeNoun
Rootśoka (शोक प्रातिपदिक)
FormPuṁliṅga, Ṣaṣṭhī vibhakti, Ekavacana
tubut/indeed
tu:
Sambandha-bodhaka (सम्बन्ध-बोधक)
TypeIndeclinable
Roottu (तु अव्यय)
FormVirodha/Anvaya-nipāta (तु—contrastive particle)
prabhāveṇaby the influence
prabhāveṇa:
Karaṇa (करण/Instrument-cause)
TypeNoun
Rootprabhāva (प्रभाव प्रातिपदिक)
FormPuṁliṅga, Tṛtīyā vibhakti, Ekavacana
etatthis
etat:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootetad (एतद् सर्वनाम-प्रातिपदिक)
FormSarvanāma, Napuṁsakaliṅga, Dvitīyā vibhakti, Ekavacana; qualifying 'karma'
karmaact/deed
karma:
Karma (कर्म/Object)
TypeNoun
Rootkarman (कर्मन् प्रातिपदिक)
FormNapuṁsakaliṅga, Dvitīyā vibhakti, Ekavacana
mayāby me
mayā:
Karta (कर्ता)
TypeNoun
Rootasmad (अस्मद्)
FormTṛtīyā vibhakti, Ekavacana
kṛtamwas done
kṛtam:
Kriyā (क्रिया/Predicate)
TypeVerb
Root√kṛ (कृ धातु)
Formक्त-कृदन्त (past passive participle), Napuṁsakaliṅga, Prathamā, Ekavacana; predicative
anārya-juṣṭamapproved by the ignoble
anārya-juṣṭam:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootan-ārya (अनार्य प्रातिपदिक) + juṣṭa (√juṣ धातु, क्त-कृदन्त)
FormNapuṁsakaliṅga, Prathamā/Dvitīyā, Ekavacana; समासः—तत्पुरुष (अनार्यैः जुष्टम् = frequented/approved by ignoble)
a-svargyamnot leading to heaven
a-svargyam:
Viśeṣaṇa (विशेषण)
TypeAdjective
Roota-svargya (अस्वर्ग्य प्रातिपदिक)
FormNapuṁsakaliṅga, Prathamā/Dvitīyā, Ekavacana; nañ-tatpuruṣa (नञ्-समासभाव)
a-kīrti-karaṇamcausing ill-fame
a-kīrti-karaṇam:
Viśeṣaṇa (विशेषण)
TypeAdjective
Roota-kīrti (अकीर्ति प्रातिपदिक) + karaṇa (करण प्रातिपदिक)
FormNapuṁsakaliṅga, Prathamā/Dvitīyā, Ekavacana; समासः—तत्पुरुष (अकीर्तेः करणम् = causing disgrace)
dvijaO Brahmin
dvija:
Sambodhana (सम्बोधन/Address)
TypeNoun
Rootdvija (द्विज प्रातिपदिक)
FormPuṁliṅga, Sambodhana (सम्बोधन/Vocative), Ekavacana

Nimi (inferred)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"devotee","key_question":"Is my grief-driven act adharmic—non-ārya, non-heaven-leading, and reputation-destroying?"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"topic":"prayaschitta","instruction_summary":"Acts done under śoka and moha may deviate from ārya-ācāra; one should seek authoritative clarification and, if doṣa is present, undertake appropriate expiation rather than persist in self-justification.","karmic_consequence":"Acknowledging fault and turning to śāstra/guru mitigates doṣa and restores kīrti; obstinate continuation in improper acts leads to akīrti and adverse post-mortem results (asvargya)."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"ethics of intention vs. norm (ācāra)","core_concept":"Emotional disturbance (śoka) can cloud dhī and push one into actions felt to be outside noble custom; dharma requires both right intention and right method validated by tradition.","practical_application":"When grief drives impulsive ritual decisions, pause, consult competent authority, and correct course; do not equate intensity of feeling with dharmic legitimacy."}

Subject Matter: ["Ethics","Ritual propriety","Psychology of grief"]

Primary Rasa: kāruṇa

Secondary Rasa: bhayānaka

Type: narrative court/āśrama setting (implied)

Related Themes: Varāha Purāṇa 187.76 (moha/ajñāna as cause); Varāha Purāṇa 187.77 (fear of muni-śāpa; Nārada’s counsel)

Visual Art Cues: {"scene_description":"Nimi, visibly grief-stricken, confesses that his act was done under sorrow and fears it is ignoble, non-heaven-leading, and fame-destroying; a listening brāhmaṇa/sage is present.","item_prompts":["downcast king with tearful eyes","hands in añjali or clutching cloth","a brāhmaṇa/sage listener","dim ritual remnants (darbha, vessel) in background","atmosphere of confession"],"kerala_mural_prompt":"Kerala mural: expressive eyes and stylized tears; Nimi in subdued royal attire, slightly bent posture; sage calm and upright; warm earthy palette emphasizing pathos.","tanjore_prompt":"Tanjore: central figure with ornate but muted gold; emphasis on facial expression of remorse; sage with halo-like arch; minimal props, strong icon-like composition.","mysore_prompt":"Mysore: refined shading on faces; delicate depiction of trembling hands; quiet interior with ritual items faintly indicated; compassionate listener.","pahari_prompt":"Pahari: intimate dialogue scene; slender figures, soft landscape or palace veranda; emphasis on emotional gesture and lowered gaze."}

Audio Atmosphere: {"recitation_mood":"penitential, heavy with remorse","suggested_raga":"Todi","pace":"medium-slow","voice_tone":"trembling, confessional"}

C
Classical Literature
P
Purāṇic Narrative
E
Ethical Reflection

FAQs

It shows a reflective ethical stance within Purāṇic narrative: ritual acts are evaluated not only by performance but by normative tradition (‘ārya’) and social consequence (kīrti/akīrti).

No geographic location appears in this verse.

Grief can distort judgment; one should assess actions against established norms and consequences, rather than acting impulsively under emotional pressure.

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