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Varaha Purana 187.63: Adhyaya 187, Shloka 63

Determination of the Origin and Procedure of the Ancestral Offering

Pitṛyajña/Śrāddha

नारदेनैवमुक्ते तु श्रुत्वा स द्विजसत्तमः ॥ प्रणम्य शिरसा पादौ निमिरुद्विग्नमानसः

Sanskrit recitationVaraha Purana 187.63

nāradenaivam ukte tu śrutvā sa dvijasattamaḥ || praṇamya śirasā pādau nimir udvignamānasaḥ

നാരദൻ ഇങ്ങനെ പറഞ്ഞതു കേട്ട്, ശ്രേഷ്ഠ ദ്വിജനായ നിമി, മനസ്സ് ഇപ്പോഴും വ്യാകുലമായിരിക്കെ, ശിരസ്സുകൊണ്ട് (നാരദന്റെ) പാദങ്ങളിൽ പ്രണാമം ചെയ്തു.

नारदेनby Nārada
नारदेन:
करण (Karana/करण)
TypeNoun
Rootनारद (प्रातिपदिक)
Formपुंलिङ्ग; तृतीया (3rd/तृतीया), एकवचन; Instrumental singular
एवम्thus
एवम्:
क्रियाविशेषण
TypeIndeclinable
Rootएवम् (अव्यय)
Formअव्यय; प्रकारवाचक (adverb of manner)
उक्तेwhen (it was) said
उक्ते:
अधिकरण (सति-सप्तमी)
TypeVerb
Rootवच् (धातु)
Formक्त-प्रत्ययान्त (past passive participle) ‘said’; सति-सप्तमी (locative absolute) नपुंसकलिङ्ग; सप्तमी (7th), एकवचन
तुthen/but
तु:
सम्बन्ध-निपात
TypeIndeclinable
Rootतु (अव्यय)
Formनिपात
श्रुत्वाhaving heard
श्रुत्वा:
पूर्वकाल (पूर्वक्रिया)
TypeVerb
Rootश्रु (धातु)
Formक्त्वान्त (absolutive/gerund); ‘having heard’
सःhe
सः:
कर्ता (Karta/कर्ता)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग; प्रथमा (1st), एकवचन; Nominative singular; सर्वनाम
द्विजसत्तमःthe best of the twice-born (brāhmaṇa)
द्विजसत्तमः:
कर्ता (Karta/कर्ता)
TypeNoun
Rootद्विज + सत्तम (प्रातिपदिक)
Formपुंलिङ्ग; प्रथमा (1st), एकवचन; Nominative singular; षष्ठी-तत्पुरुषः (द्विजानां सत्तमः = best among the twice-born)
प्रणम्यhaving bowed
प्रणम्य:
पूर्वकाल (पूर्वक्रिया)
TypeVerb
Rootप्र-नम् (धातु)
Formक्त्वान्त (absolutive/gerund); ‘having bowed’
शिरसाwith (his) head
शिरसा:
करण (Karana/करण)
TypeNoun
Rootशिरस् (प्रातिपदिक)
Formनपुंसकलिङ्ग; तृतीया (3rd), एकवचन; Instrumental singular
पादौ(the two) feet
पादौ:
कर्म (Karma/कर्म)
TypeNoun
Rootपाद (प्रातिपदिक)
Formपुंलिङ्ग; द्वितीया (2nd), द्विवचन; Accusative dual
निमिःNimi
निमिः:
कर्ता (Karta/कर्ता)
TypeNoun
Rootनिमि (प्रातिपदिक)
Formपुंलिङ्ग; प्रथमा (1st), एकवचन; Nominative singular; विशेष्य (apposition to सः)
उद्विग्नमानसःwith an agitated mind
उद्विग्नमानसः:
विशेषण (of कर्ता)
TypeAdjective
Rootउद्विग्न + मानस (प्रातिपदिक)
Formपुंलिङ्ग; प्रथमा (1st), एकवचन; Nominative singular; षष्ठी-तत्पुरुषः/बहुव्रीह्यर्थे विशेषण-प्रयोगः (उद्विग्नं मानसं यस्य = whose mind is agitated)

Narrator (frame narration; speaker not explicitly marked in fragment)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"observer"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"instruction_summary":"Model of śiṣya-dharma: after receiving instruction, one should bow to the teacher’s feet with humility, even if inner agitation remains.","karmic_consequence":"Cultivates receptivity and pacifies ego; disrespect/absence of praṇāma obstructs learning and dharmic refinement."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"adhikāra (fitness for knowledge) through vinaya","core_concept":"Even when sorrow persists, humility and surrender to wise counsel is the doorway to inner settling.","practical_application":"Respond to counsel with praṇāma and attentive listening; allow time for teaching to mature into lived equanimity."}

Subject Matter: ["Ethics","Dialogue etiquette","Consolation discourse"]

Primary Rasa: śānta

Secondary Rasa: karuṇa

Related Themes: Immediate continuation: Nimi’s spoken gratitude and confession of grief (187.71–72)

Visual Art Cues: {"scene_description":"After Nārada’s counsel, Nimi bows fully at Nārada’s feet; Nārada stands/sits composed, blessing-like calm; Nimi’s face shows residual worry.","item_prompts":["praṇāma at feet (pāda-vandana)","Nārada’s vīṇā resting","Nimi with anxious brow","simple hermitage props (kuśa seat, water pot)"],"kerala_mural_prompt":"Kerala mural: dynamic praṇāma posture, stylized feet and ornaments, expressive eyes showing udvega; warm earthy background.","tanjore_prompt":"Tanjore: gold-leaf emphasis on Nārada’s halo and ornaments; Nimi kneeling with folded hands; rich textiles.","mysore_prompt":"Mysore: refined shading, gentle expressions; focus on gesture of bowing and quiet blessing.","pahari_prompt":"Pahari: intimate teacher-disciple moment in a small pavilion/forest clearing; delicate lines, soft colors."}

Audio Atmosphere: {"recitation_mood":"narrative, respectful","suggested_raga":"Khamaj (soft narrative warmth)","pace":"madhyama (medium) with clear articulation of compounds","voice_tone":"measured, slightly descriptive; gentle stress on ‘pranamya…pādau’ and ‘udvigna-mānasaḥ’"}

C
Classical Literature
P
Purāṇic Narrative
S
Sanskrit Poetics (narrative framing)

FAQs

It preserves a conventional Purāṇic dialogue protocol: respectful bodily gesture (praṇāma) accompanies reception of instruction, reflecting pedagogical norms in Sanskrit narrative literature.

No location is mentioned; the verse focuses on interpersonal ritual etiquette within the dialogue.

Respect for counsel and teachers is modeled through listening (śrutvā) and formal reverence (praṇamya pādau), even amid emotional distress.

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